Theater
Why We Love Cinderella
A new UWM production traces the tale’s history -- and various versions -- going back 30,000 years.
Apr 23rd, 2014 by Matthew Reddin
Return of the 1980s
Danceworks has fun with 80s-inspired pop songs.
Apr 21st, 2014 by Kristyn Coral Botic
The Silence of Outer Space
Quasimodo’s new production is a completely silent play depending only on physical movement.
Apr 16th, 2014 by Matthew Reddin
Going Crazy in Cleveland
Chamber Theatre deftly handles the antic farce, Lend Me a Tenor.
Apr 15th, 2014 by Dominique Paul Noth
Not-So-Super Man
The History of Invulnerability, the Rep’s new play about Superman’s creator, is a flashy but empty cartoon.
Apr 14th, 2014 by
Three Great Solo Artists
Saxophonist Colin Stetson, dancer Morgan Thorson and spoken word artist Jeanine Durning each perform in Alverno festival.
Apr 14th, 2014 by Isabel Dunkerley
The Real Man of Steel
Rep’s new play offers the fascinating story of how and why Superman was created.
Apr 9th, 2014 by Matthew Reddin
Dancers Who Defy Gravity
The human pretzels of the Pilobolus dance troupe perform this week at the Wilson Center.
Apr 8th, 2014 by Isabel Dunkerley
Not Going Gently Into That Good Night
Next Act’s Three Views offers funny, insulting, despairing, poignant look at old age.
Apr 8th, 2014 by Dominique Paul Noth
The Second Time Around
Much acclaimed 2004 production of Skin Tight returns with the same cast and director.
Apr 2nd, 2014 by Matthew Reddin
Ballet Dances to Pink Martini
Milwaukee Ballet’s Spring Series features three very different works, including two world premieres.
Mar 31st, 2014 by Isabel Dunkerley
Fastest Plays of the Year
The annual Rep Lab features an ever-changing festival of 10 plays, some as short as two minutes long.
Mar 26th, 2014 by Matthew Reddin
