Classical
Goodbye Timothy Klabunde
Prometheus plays its last date with violinist Klabunde, and it was a memorable concert indeed.
Apr 22nd, 2015 by William Barnewitz
Wild Hilarity and Ravishing Lyricism?
Get ready for another crazy Present Music concert. It's entitled "Hilarious," but that may be just the half of it.
Apr 21st, 2015 by Michael Barndt
Brahms, Haydn and… Daron Hagen
The Prometheus Trio performs three great works, one by rising Milwaukee composer Daron Hagen.
Apr 17th, 2015 by Michael Barndt
We Love The Tango
A concert of tango music by great composers like PIazzolla and Albeniz features some of the city's top instrumentalists.
Apr 17th, 2015 by Michael Barndt
“Astonishing English Five-Part Polyphony”
The Boston-based group Blue Heron, performing Saturday, specializes in the "poetically sublime" music of 15th and 16th century England.
Apr 16th, 2015 by Michael Barndt
Where the Wild Things Are
The "Unruly Music" series brings new works that can break the boundaries of classical music.
Apr 15th, 2015 by Michael Barndt
The Impact of Edo de Waart
Last weekend’s concert was a testament to how he’s improved the Milwaukee Symphony Orchestra
Apr 13th, 2015 by William Barnewitz
MSO Guest Violinist Is Electrifying
Global star Nadja Salerno-Sonnenberg is sensational in Shostakovich and orchestra excels in two other works.
Apr 6th, 2015 by William Barnewitz
The Return of Rachmaninoff
Edo de Waart has turned the Milwaukee Symphony Orchestra into a wonderful interpreter of the Russian composer.
Apr 2nd, 2015 by Claire Nowak
Bach Masterwork Played Big in Brookfield
Bel Canto and supporting players take on Bach’s huge St. Matthew Passion for an appreciative crowd.
Mar 23rd, 2015 by William Barnewitz
Bel Canto’s Most Ambitious Concert?
Joined by Milwaukee Chamber Orchestra, the Bel Canto takes on Bach's mighty "St. Matthew Passion," last performed in the 1940s.
Mar 19th, 2015 by Michael Barndt
Florentine a Leader in New Operas
Elmer Gantry is just the latest success for the increasingly adventurous company.
Mar 18th, 2015 by Richard Davis
