Theater

Where the Arts Are Now: Next Act Theatre
Where the Arts Are Now

Next Act Theatre

This portrait of Next Act Theatre is the first TCD's summer series of snapshots of Milwaukee's arts groups.

Review: The Skylight’s Evening with a very human Gilbert & Sullivan
Review

The Skylight’s Evening with a very human Gilbert & Sullivan

Dale Gutzman ingeniously weaves operetta artifice, Skylight tradition and compelling character development.

Everything Old Is New Again at the Skylight

Everything Old Is New Again at the Skylight

Dale Gutzman returns to direct after a 25-year absence, with Gilbert & Sullivan fantasy inspired by the Skylight's very first show.

Review: Pink Banana’s Sex, Drugs and the American Way
Review

Pink Banana’s Sex, Drugs and the American Way

No, really; the short plays are about sex, drugs and the American way.

“No day but today”

“No day but today”

The Skylight Opera Theatre takes a risk and hits a high note with their production of Rent.

Review: An imaginative Florentine Rigoletto
Review

An imaginative Florentine Rigoletto

Georgia Jarman is an extraordinary Gilda, Noele Stollmack's set is way cool, and conductor Joseph Rescigno is in his element.

The Skylight’s rockin’ Rent

The Skylight’s rockin’ Rent

Donna Drake directs the 1989 rock version of La Boheme, set on the mean streets of New York.

Review: Sunday in the Park with George at Windfall Theatre
Review

Sunday in the Park with George at Windfall Theatre

Windfall Theatre offers up a concert version of Sondheim's meditation on the art of making art.

Review: The Apple Tree at In Tandem Theatre
Review

The Apple Tree at In Tandem Theatre

Oh, the continuous battle between the sexes.

Seen and heard at Florentine’s “Opera Showcase”

Seen and heard at Florentine’s “Opera Showcase”

The 2009-10 Studio Artists bring the power of Puccini, Verdi, and others at the Florentine Opera Center. An audio slideshow from the first half of the night.

Review: Carte Blanche’s “Streetcar” electrified
Review

Carte Blanche’s “Streetcar” electrified

Watching Tennessee Williams' Streetcar Named Desire in such an intimate space is almost like voyeurism.

Review: American Fiesta at Renaissance Theaterworks
Review

American Fiesta at Renaissance Theaterworks

Can a mixing bowl serve as a metaphor for political and idealogical acceptance in the modern world?