Theater

PHOTO GALLERY: 75 years of the Florentine Opera
PHOTO GALLERY

75 years of the Florentine Opera

The Florentine Opera, Wisconsin's oldest fully professional performing arts organization, hosts a special one-night-only Diamond Anniversary concert in celebration of their 75th year in the business. In tribute, enjoy this fabulous photo history from the Company's expansive archive.

Performing Arts and Fine Music Preview: May 19 – 25
Performing Arts and Fine Music Preview

May 19 – 25

This week on ThirdCoast Digest's weekly look at highlights in the world of local stage and music:the opening of Skylight Opera's staging of Gilbert and Sullivan's best known comic opera, right before the Florentine Opera concludes a 75th Diamond Anniversary year with a huge concert celebration. Also, Stonefly Brewery plays host for one night to an unusual traveling comedy examing surrealism, and a international pop star of sorts is coming to the Milwaukee Theatre.

Performing, Music and Visual Arts Preview: May 12-18
Performing, Music and Visual Arts Preview

May 12-18

This week in Performance and Visual Arts: live improv comedy, Ko-Thi's 40th anniversary, "Common People" (yep, the Shatner ballet) at Milwaukee Ballet, Paul Cebar and David Greenberger at the Pabst, pajama jamborees, a "no instrument spared" musical event at the WCM, True Skool (sic) at MAM and much, much more.

Theater Reviews: ‘Children of a Lesser God’ and ‘The Great Divorce’
Theater Reviews

‘Children of a Lesser God’ and ‘The Great Divorce’

There is - at least on some surface or technical levels - a certain kinship of challenge between the two productions currently staging on two opposite sides of Milwaukee County this month. Both have entirely black stages, with many benches, stairs, or props painted black as well to give the idea that the play takes place in the mind of the main character. That protagonist remains on stage and speaking for most of the time. Both plays have religious or theological underpinnings, although one is more direct about it.

Review: Boulevard Theatre’s “Stations of the Cross”
Review

Boulevard Theatre’s “Stations of the Cross”

Written by local writer, actor and storyteller Beth Monhollen, Boulevard Theatre's Stations of the Cross follows the traditional 'stations' of Jesus suffering as told through monologues and short scenes about the restaurant service industry. Often witty and occasionally dark, Cross provides many, many laughs and insights into human behavior.

Review: ‘Romantic Fools’ at the Tenth Street Theater
Review

‘Romantic Fools’ at the Tenth Street Theater

Fools and their fantasies: Perhaps at one time or another every person plays a fool for love. Portraying both the foolish and the fantastical through the course of a loosely related romance, In Tandem Theatre Company closes its season with Rich Orloff’s comic revue Romantic Fools. Twelve short sketches travel down a wayward path between the first date and first walk down the aisle for one attractive couple, with bizarre twists and turns along the way. While much of the script runs through highly humorous material, it crosses some sexually explicit subjects with a kinky bent, somewhere between Saturday Night Live and a Dr. Laura therapy session. Playwright Orloff’s prolific one-act plays are often featured in the annual Best American Short Plays collections. Here the comedic elements are provided within the subtle format of a game show with the main contestants being Lori (Georgina McKee) and Andrew (Ryan Schabach) who, along with other assorted characters on this path to love, reveal an intensity and complete compatibility which gave credibility to the absurd situations on stage. Sometimes characters speak directly to the audience, eliciting smiles and giggles. Director Jane Flieller also keeps the skits fresh and flowing with minimal props on a red and gold stage reminiscent of television’s matchmaking games of the past – but here using only one door instead of three. Sometimes the situations and dialogue entice the audience into uncomfortable territory for conservative mindsets, leaving little romance but considerable foreplay. While several great scenes incorporate some very funny lines that anyone can relate to, one special sketch provides classic appeal. After her engagement, Lori tries to find a wedding planner. A guest appearance by the artistic director surprises everyone as a figure from the comics past. Smoking a large cigar with heavy eyebrows and a mustache, the planner promises Lori a perfect event from “married to buried,” and puns ensue in rapid succession. This Romantic Fools resists the overly sweet and sentimental moments of courtship by employing sexuality, a contemporary and open vision of dating and mating. These fantasies may appeal to mature audiences for an evening of pure delusional entertainment. While the theater company presents this play as “a comic collection of dating do’s and don’ts”, some fools for love may prefer observing more heartfelt emotion and less dysfunction. Still, InTandem successfully delivers a provocative night of fun.. InTandem Theatre Company presents Romantic Fools at Tenth Street Theatre until May 17. Also enjoy supporting an innovative mission for the promotion of theater arts in Milwaukee by attending their annual fundraiser, Bottoms Up – a casual evening of beer tasting on June 5. For more information and tickets for either the play or fundraiser: 414.271.171 or visit In Tandem’s website. For venue, tickets, showtimes and more, visit Footlights Milwaukee online.

Performance, Music, and Visual Arts Preview: May 4-12, 2009
Performance, Music, and Visual Arts Preview

May 4-12, 2009

It's a splashy week in Milwaukee performing and visual arts: Marvin Hamlisch, old-time radio, The Great Divorce, Beauty and the Beast, 42nd Street, Willy Wonka, Mad Hot Ballroom, Cirque du Soleil and more.

Review: ‘Cabaret’ at Carte Blanche Studios
Review

‘Cabaret’ at Carte Blanche Studios

...many of the players have to deliver lines, sing, and kick kick twirl kick while in various stages of provocative wear only inches from the front row. A series of invisible doors and narrow entryways rush players onstage and props switch back and forth. With no abundance of space, every inch becomes amorphous and left to the audience to imagine further.

Performance and Visual Arts Preview: April 29 to May 4
Performance and Visual Arts Preview

April 29 to May 4

We’re adjusting the timing of this weekly preview to give you a better jump on planning your outings. As a result what you see here are the events going on just through this weekend (and one event beyond). Check back Monday, May 4 for a new selection of performing, musical, and visual arts happening in Milwaukee and the surrounding areas. The first days of May (May Day! May Day!) presents new offerings from a wild farce from Windfall Theater (I had seven margaritas!), a Wild Space Dance performance about Jones Island (Kaszubes in ballet shoes!), and a standout from Alverno Presents (Inyembezi Zam!). Comedy Headline Comedian Mike Kosta, JD’s Comedy Café, 4/30-5/2 Also Featuring Josh Alton, Steve Hartman, Geoff LaFleur. Contact: 414.271.5653 or JD’s. The Midnight Show, ComedySportz, 5/2 at 12:00 a.m. (naturally) The hardest working day of the week for this venue is Saturdays, when they regularly host a 3:00 p.m. matinee for kids and then two more shows at 7:30 and 10:00 p.m. But it’s the adults only, must be 18 or older show that takes place late which has the most ribald sass. Contact: 866.512.5233 or ComedySportz. Headlining Comedian Billy Gardell, Jokerz Comedy Club, 4/30-5/2, 8 p.m. Star of Hit TV Series such as Heist, Yes Dear, and the King of Queens, Billy Gardell is the kind of comedian that makes you laugh your ass off. Sort of a mix of a New Jersey guy doing the Redneck Comedy Tour material as Jackie Gleason. See here: _ Dance Map of Memories, Wild Space Dance Company at Studio 1661, 5/1. Back by overwhelming public demand, Map of Memories will return for an encore performance, telling the story of Milwaukee’s Jones Island. Inspired by the lives of Polish, Kaszubian, and Eastern European immigrants who founded the Island’s fishing village in the 1870s, Map of Memories merges expressive contemporary dance with historic images and text. Prior to the evening performances, Milwaukee historian and author John Gurda will discuss the island’s journey from thriving fishing village to harbor hub. Contact: 414.271.0712 or Wild Space. Rhapsody in Blue, Cashiel Dennehy School of Irish Dance at South Milwaukee Performing Arts Center, 5/2 A high-flying, powerful performance that combines the traditional, innovative and unique. Rhapsody showcases all that Irish dancing has to offer – there is truly something for everyone in this show. The event features dancers of all ages shining on stage, a raffle, a silent auction and much more. Contact: 414.766.5049 or SMPAC. _ Theater Stations Of The Cross, Boulevard Ensemble Studio Theater, 4/29 Boulevard closes its 23rd season by staging the premiere of local Milwaukee playwright and actress Beth Monhollen’s comedy of waitressing. As an actress, Monhollen has appeared with many companies in Milwaukee (Late-Night Theatre X, Inertia Ensemble) and has consistently won accolades for her work. A founding member of Milwaukee’s WIND-UP DOLLS THEATRE (an all-women improvisational-based theatre company), Monhollen has performed countless times with the feminist ensemble as well as creating many of its pieces.  This production marks Ms. […]

Munchkin audition update: further details and terms
Munchkin audition update

further details and terms

We posted last week that auditions are being held at the Milwaukee Theatre before the June 5-7 run of the national tour of The Wizard of Oz for additional munchkins in the form of local children. A closer look at the tour's website revealed, however, some qualifiers that will be a boon for some local groups, but a limitation to individual parents that should be known.

Hair wants to shine, but falls flat

Hair wants to shine, but falls flat

Even though Hair defined the "rock musical" genre and illustrated drug use, its message was actually quite serious and intellectual. But the players at UWM seem to have trouble paying homage to these great American social issues. On stage, actors seem more intent on portraying various stages of being stoned. Illegal drug use pervades the entire show, but it here it seemed to overtake all other aspects.

Review: Brooklyn Boy at Milwaukee Chamber Theatre
Review

Brooklyn Boy at Milwaukee Chamber Theatre

Milwaukee Chamber Theatre closes its 34th season with playwright Donald Margulies’s semi-autobiographical play. It focuses on a novelist who, after two attempts at the great American novel, gets it right on the third try to critical acclaim and popularity by penning a semi-autobiographic novel called Brooklyn Boy. With the vague notion that this achievement may endear him to his dying father and save his withering marriage, the author attempts to re-draw his life as he thinks it should be. But new found fame and a re-discovered past proceed to pull him in opposite directions. James DeVita is understated and charming as Eric Weiss, the writer suffering through a mid-life crisis. As the character is quietly devastated to learns that success cannot alter the relationships with his father and soon to be ex-wife, actor DeVita expresses frustration and anger with a unique deft without resorting to simply yelling. The supporting cast members all neatly avoid playing into stereotypes. Robert Spencer as Eric’s father Manny Weiss is able to create a rich and complicated relationship with his son. Rebecca Rose Phillips gives depth as an enamored groupie and Tom Klubertanz is lovable as Ira, Eric’s childhood friend who forces him to reminisce and ultimately deal with his grief. Rounding out the cast is Darrel Cherney, Michelle Lopez-Rios and Julie Swenson in strong and multi-faceted performances. Although much of the play is a reflection on Weiss’s life growing up in a Jewish family and community, director and MCT Producing Artistic Director C. Michael Wright makes sure the play is not just a Jewish story. Brooklyn Boy is relatable to anyone, regardless of religious or ethnic background. Brooklyn Boy runs through May 3rd at the Broadway Theatre Center. For tickets call 414.291.7800 or visit MCT’s website.