Meet Milwaukee Film

by Howie Goldklang + Photo by Kat Berger Film festivals are a tough business, man. One day you’re wearing your cleanest dirty suit in some board room asking for sponsorship money and the next you might be unloading office furniture from a rental truck, arguing about which films to program or waiting around for the Road Runner guy to show up between 3 pm and 10 pm on a Tuesday. And so it goes, on and on into an abyss of film submissions, stacks of papers and messes of wires up and down your office walls, dealing with filmmakers, the endless quest for sponsor dollars, securing equipment partners, a constant need to build build build – film programs, screenings, screenplay readings, competitions, contests, and then your actual festival! My god, you mean we have to show films? Yes! Creating the printed program, hawking down sponsors for ads two weeks late, finding reliable projectionists, pulling a jury together, organizing parties and panels, printing tickets and those cool-guy laminated passes, glad-handing sponsors, and on and on into an abyss of … You get it. The film festival world is a fucking grind and to be the core staff of a successful one means you are either crazy, bulletproof or both. Enter Jonathan Jackson, Kyle Heller and T.J. Fackelman – keys to the defunct Milwaukee International Film Festival (MIFF) now forging ahead with a new organization called MILWAUKEE FILM. (Peep the Facebook group of the same name. Now!) But wait? What the hell happened to MIFF? We’re a beer and shot away from that conversation, so if you see me at a bar, walk over with a Magic Hat and Makers and we can get into it. For now, think about reasons that arts non-profits might split. Then think about who the original organizers were. Go ahead, name names. Then do a Mad Libs called FOUNDERS VS. FESTIVAL and carefully place the words Money, Ego, Sponsors, Vision, Credit and Direction. Then buy me another drink. (Search the REEL MILWAUKEE Blog at vitalsourcemag.com for more on the 4W/H about what happened to MIFF.) But I digress. Can you imagine doing the brick-by-brick, day-to-day festival grind for five years and without warning, it’s gone? These dudes couldn’t. Up from the ashes came Milwaukee Film, which is both a kick to the teeth of the powers that stole MIFF from Milwaukee and a dog whistle to independent filmmakers and artists in Milwaukee that the real supporters of MIFF don’t go out like that. “The whole staff went through a grieving process. Having put a festival together for the last five years, I feel like a big part of my life is missing,” says Milwaukee Film Artistic Director Jonathan Jackson. “Ultimately though, I am ecstatic about the future. We have an incredible opportunity to create a cultural organization that will maximize its potential and provide entertaining and socially conscious film programming throughout the year. We can’t guarantee perfection, but the staff and board of Milwaukee Film are […]

Milwaukee Film Wants You! Volunteer Today!

Want to meet fun, new people? Want free movie tickets? Want to help with Milwaukee’s newest film festival? Milwaukee Film is currently seeking enthusiastic and dedicated individuals to help us out with upcoming events. Milwaukee Film are looking to fill volunteer positions in all areas from ticket-taking and ushering at the theatres to helping make sure the parties run smoothly. Please email MilwaukeeFilm414@gmail.com or send a message on Facebook or Myspace, and include all of your contact information (email, phone #, address). Volunteering is the best way to ensure that Milwaukee’s film festival becomes the institution Milwaukee deserves. You also receive great benefits, for each shift volunteered you will get 1 ticket to the 2009 Film Festival presented by Milwaukee Film. If you know anyone who is interested in volunteering, please forward this message to them and tell them to e-mail Milwaukeefilm414@gmail.com with their contact information. Volunteer information for the Milwaukee Show on October 23rd and Song Sung Blue on November 6th will be released shortly so sign up quickly! Thank you in advance for your support!

A JIHAD FOR LOVE

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WATER LILIES (Naissance des pieuvres)

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Great News For Milw Filmmakers – MILWAUKEE FILM ANNOUNCES INAUGURAL SCREENING, CALLS FOR ENTRIES

Hey There in Hipster Blog Land: Read below for the skinny on the next step in the Milwaukee Film Festival world….. begs the question…. what the hell happened? Rumors are swirling, Mark Metcalf is going off with a series of articles on onmilwaukee.com but no matter how you slice it, its a sad collision of art and commerce where the big loser is the filmmaker. Fear not: As usual, film kids will solider on. So for now, let’s focus, rise up and get Milwaukee Film rolling! THE NEED TO KNOW: Fest Date / Loc: Oct 23rd @ Oriental Theater Deadline / Cost: Sept 19th / FREE Who Can Submit: Milwaukee County Residents Prizes: Milwaukee Filmmaker prize package valued at over $10,000, including a camera rental package from North American Camera. from Milwaukee Film PR Office: NEWS RELEASE For More Information: FOR IMMEDIATE RELEASE Marie Maas, 414-390-5500 August 22, 2008 MILWAUKEE FILM ANNOUNCES INAUGURAL SCREENING, ISSUES CALL FOR ENTRIES Local filmmakers invited to participate in October showcase Milwaukee – Milwaukee Film, a newly formed independent organization dedicated to hosting Milwaukee’s premiere film festival, announced today plans for an inaugural screening on October 23, 2008. The Milwaukee Show will be a premiere showcase of diverse locally-made short films at the Oriental Theatre. Films may be submitted by residents of Milwaukee County for consideration at no cost, with select films featured as part of the screening. The top filmmaker will also receive a Milwaukee Filmmaker prize package valued at over $10,000, including a camera rental package from North American Camera. The deadline to submit a short film is Friday, September 19, 2008. This screening is just one of the many year-round screenings and events Milwaukee Film plans to host, supported by the former staff of the Milwaukee International Film Festival and its primary funders. “This is a great opportunity for local filmmakers to showcase their work, and a really engaging way for the community to experience all that our city’s growing film industry has to offer,” said Jonathan Jackson, Artistic Director for Milwaukee Film. “We are excited to kick off our first screening in October by highlighting locally-made films.” For an official submission form or more details, visit the Milwaukee Film group on Facebook or contact Milwaukee Film at (414) 755-1965 or MilwaukeeFilm414@gmail.com. ABOUT MILWAUKEE FILM BOARD OF DIRECTORS: Chris Abele, Milwaukee Film Board Chairman; President & CEO, Argosy Foundation Tina Chang, CEO, SysLogic Alec Fraser, Attorney, Michael Best & Friedrich, LLP Bill Haberman, Attorney, Michael Best & Friedrich, LLP Carmen Haberman, Vice President, Herzfeld Foundation Julia Taylor, President, Greater Milwaukee Committee STAFF: Jonathan Jackson – Artistic Director Jonathan Jackson is the Artistic Director for Milwaukee Film, overseeing the content and programming for the organization’s events. Jackson previously served as the Artistic Director for the Milwaukee International Film Festival, directing film programming from 2003 – 2008. He previously worked as the Program Manager of the UWM Union Theatre and has curated film programs for the Milwaukee Art Museum. Kyle Heller – Operations Director […]

The Wackness

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48 Hour Films Screening in Milw

2 Days to shoot em and 1 Night to show em….. 48 Hour Film Project – click here Milwaukee 48 Hour Film Project Screenings Date: Wednesday, June 25th Time: Group A: 6pm Group B: 8pm Place: Landmark Oriental Theatre, 2230 North Farwell Avenue Tickets: $9 for one screening; $15 for both (on-line service charge not included) Notes: From Friday, June 20, until Tuesday, June 24, advance tickets will be available on-line. If you buy your tickets on-line, they will be available will-call at the theater. There is a small service charge for on-line sales. You may also buy them at the 48 Hour Film Project ticket table at the Oriental Theater. In other words, don’t stand in the main ticket line, go inside to the 48 Hour Film Project ticket table. Please note that tickets sales at the theater will be CASH ONLY. There will be no credit card sales at the door. Ticket sales start half an hour before the show. Milwaukee Teams Group A, Screening Wed., June 25th at 6pm Aurum Design Black Tai Blue Doodle Cross Word Films Foxtrot Hairy Doughnuts GuysHouse Ideogram Films Metals’ New Ethland Clan Chowder Smoking Magpie Group B, Screening Wed., June 25th at 8pm 5PM Productions Anatomically Correct Avant Guardian Dark Pony Productions Mostacolli Films The Moleskin Old Monk Storm 1 Studio Bib Simmons Ted Tate Films

Incredible Hulk Review

Overview of the Underground

So you’re all lock, stocked and two smoking laptops. You just hit the SAVE and RENDER button on your favorite editing program and the world is your painfully hip oyster. Next, you’ll burn a few DVDs and show off your kick ass short film, starring your kick ass friends with your kick ass crew. The jokes kill, the sad stuff makes everyone’s eyes well up and noses hurt at the top. Everyone high fives. The Facebook Wall posts come pouring in. But you’re back at your job on Monday … Now what? You’re in Milwaukee. Silver screens in NY, LA, Paris and Tokyo are thousands of miles away! Sell DVDs outta the back of your Hyundai hoping some producer “digs your style man”? Hit “I’m Feeling Lucky” on Google and start sending your film to production companies around the world? At this point a lot of filmmakers bottleneck and never really move with their short film. But we’re in the Midwest, damn it! Our work ethic will power us through, right? Right! What you need is a Midwest-inspired marketing plan: a hustle better than your flow. Now pull VITAL closer and read the secret to getting you and your film off your Riverwest couch and out into to the masses. Get the F into film festivals! Film festivals are the back door into the film world and simply filling out an application ain’t enough. Here are tips and tricks to getting attention for your kick ass Milwaukee film: BUILD YOUR OWN BRAND Your film needs a look and vibe that will make film festival programmers grab your film off the shelf and check it out. Hit up your graphic design buddy or post an ad on craigslist for someone to make a pro cover, poster, DVD label, business card and press kit. One look = pro. One cool look = I will watch your film for more than 45 seconds. Live out that fantasy and create a cool poster and log line for your film. (A log line is your film skillfully summed up in 20 words or less.) Stack the credits at the bottom. Create a complete finished product and it will lead programmers down the path toward making your art work into a big screen reality. You’ll show you have the full, pro package and are ready to rock. ONLINE Heed this call: both Sundance and Slamdance have online short film festivals that screen at the festival and are eligible for awards. ENTER THESE IMMEDIATELY. Sundance’s info is hidden in sundance.org so have fun with that. You can apply to Slamdance at slamdance.com and click ANARCHY ONLINE FILM FESTIVAL. Get to Park City now … git! SHORT FILM IS YOUR BUSINESS CARD Have a script ready for the feature idea that’s gone from bong smoke to short film to festivals and now beyond. Remember, you’re big time. SEND FESTIVAL PROGRAMMERS PIZZA They say it doesn’t help but it totally does. Drinks and sex work too. But we’re baby […]

Son of Rambow

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Film Festival Skin And Bones

What up Milw? I had a great conversation with a friend at VITAL about the excitement of starting a film festival. Here’s my take on a jumping off point for all you sinners: Film Festival Skin and Bones Sponsorship Aka Marketing and Advertising for those who don’t want to concede to the fact they are selling….. The nerve center of the festival. Trade out lots of festival costs like the 3 biggies: location, projection/sound, and media partners. Important Note: get your location and projection/sound first because you will not have a festival otherwise. Create package with exclusive and non-exclusive levels. Why are you different, demographic reached, year round reach, event only reach, etc Box Office sell tickets for screening. Very easy with one screen venue, tends to get complicated with multi-day, multi screen. Sell tickets to general public, handles lines / sales for passholders, jury, press, filmmakers, etc. Manage Rush Line: tickets sold once passholders are in. If there is an audience award, Box Office distributes, collects and counts ticketed results. Head of Programming and Programmers CAN NOT BE ON JURY. DO NOT CONFUSE THIS. Your festival will be bullshit if you do because programmers can sway what films get in and what films win. Filmmakers sniff this out, spread the word that your festival is shit and you will not get submissions or attendees. Plain and simple. Head of Programming heads up organizing of submissions, creating call for entries documents, sets early and late deadline by postmark only – no late submissions. Another bullshit festival move. Determines definition of short or feature / categories for awards ie: animation, 8mm, vision award, best song, best director, best editor, etc. Organizes programmers on schedule of watching and scoring submissions. Sets dates for all programmers to get together to determine the slate of films in competition. Jury A handful of qualified, high profile film, music, art peeps brought in to view films. Preferably attend festival. Fest must also set up side room for viewing films again to discuss their scoring. No one from the festival should be in room during deliberation. Director of Programming sets time deadline for results to present awards. Events Manager Parties, happenings, happy hours, panels, networking events etc surrounding the festival. Works closely with sponsorship coordinator to determine budgets / what events can be sold to what sponsor. Basic checklist: venue, backline sound, flyers, talent, a beer/wine/liquor/energy drink sponsor…..simple math: free drinks=big turnout=good for sponsors/filmmakers/life of festival. Projection & Projectionists Most overlooked yet most important department. Do not get a college kid to sit by a corporate dvd projector and shit his pants when the bulb blows. If the projection goes, the fest dies and looks bad, sponsors leave and you are done. Also, having a skilled projection department / equipment opens up what screening formats are offered and opens festival entries to potentially higher level of filmmakers shooting on a range of formats. Printing – Festival Program Prints all fest info and ads promised to sponsors. Fest […]

The new film coast?

By Matt LevinePhotos by Jeff Kenney With local film icons as disparate as experimental luminary James Benning and the ubiquitous Mark Borchardt, Milwaukee’s cinematic offerings have always been eclectic and fruitful. But in the last several years, our film scene has seen rapid development — the onset, perhaps, of a new period of national exposure to compare favorably with that of New York or Los Angeles. Sound unlikely? Maybe not after the recent initiation of Senate Bill #563: the Film Wisconsin bill. Signed into law in May of 2006, the bill went into effect on January 1 of this year, granting Wisconsin some of the nation’s most film-friendly tax incentives. Filmmakers may claim an investment tax credit of 25% for Wisconsin-based productions, as well as a 0% tax for all film and television services contracted by out-of-state production companies, a 15% state income tax credit for media businesses that make a capital investment in Wisconsin, and other magnanimous boons. The bill is unofficially named after the non-profit organization that helped usher in its existence — Film Wisconsin, whose efforts are dedicated to sustaining Wisconsin’s film and media industry. Film Wisconsin was created to fill the void left by the Wisconsin Film Office, which, due to budget cuts, was forced to close in July 2005 after 18 years of service. In April of the same year, aware of the Wisconsin Film Office’s impending closure, a task force of filmmakers set out to create Film Wisconsin, touring the state and working closely with its production community. A grassroots effort began to grant competitive statewide tax incentives, an effort that gained surprising speed as its economic payoff became apparent to state legislators. Following the bill’s inauguration, Film Wisconsin has touted our state as the “new affordable, film-friendly third coast.” And why not? The bill’s economic, cultural and artistic returns are so obvious as to be practically inevitable. You’ve probably read about Public Enemies, the new Michael Mann/Johnny Depp film that has committed to shooting on location here in Wisconsin — an arrangement that has Wisconsin’s film industry salivating for the big-budget commerce yet to come. “You’ll see an increase in the number of independent films made in Wisconsin and in the number of commercial films that come here,” says Scott Robbe, head of Film Wisconsin, which is based in downtown Milwaukee in office space shared with Visit Milwaukee and the Milwaukee Cultural Alliance. “The logistics of making movies will be much easier, and you’ll have a much greater synergy with Chicago’s film scene.” Indeed, Robbe speaks with enthusiasm of a partnership with Chain Reaction Studios in Milwaukee and Fletcher Camera in Chicago, the “Midwest contingent” that recently spread the word at the Sundance Film Festival about Wisconsin’s plentiful filmmaking incentives. CLASH OF THE INDIE TITANS The benefits the bill brings to Wisconsin cannot be overstated. There are tangible gains: the direct and indirect sources of revenue, the jobs a new industry will create both on and off sets and soundstages, the profits for […]