Art
Peepers
So get busy already. You have until Sunday, April 5th to do your Marshmallow Peep Show project and take it to the Sugar Maple smoke-free bar at 441 E. Lincoln Avenue in trendy Bay View. No entry fee; no jury, so hurry. Be there from 2-6pm. No self-respecting serious artists need show their faces, but all others seeking fun can price their peep art, and if it sells, believe it or not Ripley, they won’t have to pay a commission. A suggested donation of $2 at the door will go to the Bay View Community Center and special peep-inspired cocktails will be served by Sugar Maple .Organized by artist Nicole Hauser, a sweet treat herself, she’s back after a two year hiatus with hopes you’ll be inspired by this year’s hatching of those little fowls with beady eyes. And from the artist herself: Hi Friends, As many of you know, I am bringing back the “Peep Show” on Sunday, April 5th from 2-6 pm at the SUGAR MAPLE. However, Cafe Lulu is advertising that they are bringing back the Peep Show – and on the very same day!! They didn’t change the name or make any attempts to contact me first. Please, don’t be fooled by imposters!! Thanks and hope to see you at the ORIGINAL PEEP SHOW – #4. Sincerely, Nicole Reid and Cathrine Friedmann
Mar 28th, 2009 by Stella Cretek
Notes from the Visual Arts Forum at Haggerty
Things heard and observed at the State of Art: Open Forum about the Visual Arts in Wisconsin held at the Haggerty Museum of Art on March 26, 2009 Forum participants: Jane Simon, Curator of Exhibitions, Madison Museum of Contemporary Art. Polly Morris, Director of Development, Marketing & Outreach at UWM Peck School of the Arts, Milwaukee Arts Board member. George Tzougros, Executive Director, Wisconsin Arts Board. Debra Brehmer, arts writer, owner of Portrait Society Gallery and art history instructor at the Milwaukee Institute of Art and Design * I arrived early to look at the Current Tendencies: Ten Artists from Wisconsin survey show. I am impressed and captivated, mostly at the transformation Haggerty itself has undergone in the past year to expand its space and scope. Gone are the permanent collection pieces that often featured religious themes and replaced with more provacative work. The selections in this show seemed to be calculated, however, to find individuals set to specific voices. In one room, beaded dolls from Anne Kingsbury seem Native American. The next room has giant paintings of nude Black males by George Williams, Jr. The next, minimalist folk art objects by the late Peter Bardy. Another incredible room created by Jennifer Angus is covered with faux-wallpaper insects and 3D bugs over all four walls. One more room contains paper cutting art by Xiaohong Zhang. The other five artists are less distinct in perspective (except maybe Sonja Thomsen’s Lacuna, which could be described as Caucasians in Wisconsin based on content and concept) but they are all just as compelling. The evening starts as the room nearly fills. Haggerty Museum Director Walter Mason gives an opening speech about questions circling visual thinking and then gives directions on what will happen here. There is to be introductions followed by opening up to the floor to queries. He makes an aside, seemingly joking, that there will be no complaining. This falls on deaf ears as the conversation will immediately devolve to subjects of funding, exposure, and the lack of critical evaluation of local art. If I had a chance to ask a question, it would have been more like “so what have you seen lately and how did it move you?” I always attend these events hoping to talk about art, but they always end up being about tangential subjects to art itself. Introductions start with Debra Brehmer, who takes up the most time initially with a clever photoshopping of a crucifixion painting showing a trinity of artist, dealer, and collector along with bystanders representing media, educators, and others. As the former editor of Art Muscle, Brehmer laments the present-day lack of a print publication that could showcase and critique local art (like Art in America does in a national publication). Evoking Art Muscle’s name will happen again and again by the audience, who may not understand the financial difficulty with putting out a physical edition of something in a period of skyrocketing paper costs and plummeting ad revenue. George Tzougros is next. He’s thankful for […]
Mar 27th, 2009 by Brian Jacobson
Denouement
It’s official: Takashi Soga’s proposal has been approved for the Lincoln Park site. On March 13, the public art committee voted in favor of Soga’s project, bringing some closure (for now) to what has been an arduous and controversial process. First things first, though: some corrections and clarifications need to be made. In Part One of this piece I included an excerpt from a press release written by Pegi Taylor of IN:SITE, and also stated that Soga’s project would cause the City of Milwaukee to incur an additional $100,000 on top of the $250,000 budget for this site. I was able to obtain Takashi Soga’s official proposal (not available in time for Part One) and verified that each of Soga’s proposed pieces would stay within the amount allotted. However, the hubbub was not because of an additional $100K; it was simply that this amount of the budget would be spent on design fees, a misinterpretation on my part. Despite the fact that the piece will stay within the budget, IN: SITE still questions whether $100K in design fees is “appropriate … for a piece Soga has already designed.” IN: SITE raises the question as to whether or not the design fees are “paying for [Soga’s] name.” In Part One, I also reported that a proposal by local artists John Riepenhoff, Cat Pham and Sarah Luther was included in the top five submissions. It has come to my attention by selection committee member Barbara Opferman that this is also incorrect. Though an innovative concept, this project was not a finalist for the selection committee. However, it was favored by IN: SITE as a superior design. That’s what we know now. Here’s what you may not know. The Takashi Soga decision was not made overnight. In fact, the selection process for the Lincoln Park site began over a year ago when the original call for artists went out. At that time, however, the selection committee was not able to make a unified decision. “We interviewed 3 artists,” says Opferman, “They were from Chicago, Iowa, and Canada. I believe we received about 10 responses from the community at that meeting. As a board, we were unable to come to a consensus for a variety of aesthetic and practical reasons, which is why we revised the RFP and decided to repeat the process.” The second RFP went out in November 2008 and over 100 entries were reviewed. Local sculptor Richard Taylor sat on the public art selection committee for this second round of submissions. “We narrowed it down to a group of 6 or 8 potential artists, and with further discussion on each of these, found something to object to in all of them except Takashi Soga’s work,” Taylor says, adding, “There were a number of us on the committee who immediately reacted to Soga’s work as rising above all other entries.” The principal objections to the other proposals were based on their vulnerability to vandalism, whether the materials used would stand up to […]
Mar 26th, 2009 by Erin Petersen
Art and money
It’s hard to keep your eyes off the blood on the walls. I’m talking about the work of Steve Somers, a graduate of both Milwaukee’s High School of the Arts and MIAD. He’s worked as a curator, exhibited at the now-defunct Luckystar Gallery, the Milwaukee Art Museum as part of several Cedar Block events, and most recently at the Acrylic Age Gallery in Berlin (Germany – not Wisconsin). We’re in his home discussing a few things – chiefly how he walks the line between making a living and making art. Steve spends his days working commercially for clients like McDonald’s and Disney and spends his free time painting (as well as putting together a self-published book of his own work – Individuals in a Group – available later this year). I’d look out of touch if I didn’t ask the most obvious question – the one you can’t escape from these days: “Has the economy effected your work?” Steve initially answers “No,” and then, quickly, “But I haven’t scheduled any shows this year.” Steve explains that he’s going to spend the time “working on bigger pieces; more epic works” and that he’s challenging himself and “concentrating on painting.” No one could ever look at Steve’s work – chuck-full of festering wounds, contorted figures writhing in agony and bizarre plant life – and accuse him of playing to the consumer, but he echoes what I’ve heard from several area artists. Instead of following the retail trend to lower prices and produce smaller less expensive work artists have begun just get back to basics – making art. An upside to the current economic slump? Well, there’s got to be a silver lining – right? Art made with the purest of intentions, bucking the decade long trend of art for commerce and returning to art for art’s sake, sounds 99.9% pure. See Steve’s art: http://stevesomersart.com/
Mar 26th, 2009 by Gene Evans
Inaugural post not-quite-brought to you by St. Pat’s Day
Introductions are so far and few between, aren’t they? Ironically, in an age of iPhones and social networking, it’s getting a little tougher to meet new people. Sure, you could befriend a friend of a friend on Facebook because you think their comments are witty, then spend the afternoon poking the hell out of them, but there’s a good chance you won’t recognize them sitting next to you – whilst tweeting your brains out – at your preferred coffee haunt. I’m talking about really meeting someone. In a rush of insanity I thought I would use a St. Patrick’s party I was invited to as a catalyst to introduce you to the concept of this new column. That’s right, I thought why not use the most drunken night of the year – New Year’s Eve aside – as an opportunity to introduce you to a few creative types (artists, photographers, writers, etc.) and take you to a few places (studios, galleries, White Castle) you may not have the time to visit? This also relieves my wife of the pressure of being the sole audience of my incessant ranting. Well, once the party started, the food was too delicious, the beer too cold and the BS of too high a quality to be a buzz kill and start talking shop – who wants to be that guy? So an “official” start will have to wait a few days – or at least till St. Patrick stops dancing on my head. In the upcoming weeks look forward to meeting new people – artsy types, entrepreneurs, and local mucky-mucks – vicariously, while I have all the fun shaking their hands and talking to them. I’ll try to be gentle, but I ain’t making any promises.
Mar 19th, 2009 by Gene Evans
The Battle for Lincoln Park
The turnout for the Milwaukee County Public Art Committee meeting at Lincoln Park on March 7th was surprisingly low. For a moment, I thought that I’d gone to the wrong place. It was a particularly dismal day, and as the rain made soup of the lush green landscape, it was hard to keep the cold out of the dated clubhouse we met in. Japanese sculptor Takashi Soga was there to present his proposal for a permanent art piece in Glendale’s Lincoln Park. It’s possible that Soga does not realize the buzz that his proposed project has created, or that some members of the art community feel slighted and shut out of this pricey decision. Against such a gloomy backdrop, you had to feel for him as he addressed a room of skeptics, trying to articulate his artistic vision in broken English. So what’s the big deal? In September 2008, the MCPAC sent out a call to artists for the Lincoln Park site- over 3,000 emails, roughly- and received over 100 applications. A selection committee was formed and they chose a short list of artists, based on their concepts for the space. According to the committee’s RFP, artists on the short list would then have the opportunity to interview with the committee and preview their concept to the public. In this case, the selection committee initially made a short list of five applicants, but later decided to short list Soga alone because they felt that his piece was the most significant out of the group. Soga was the only artist invited to present, implying to some that this was, in essence, a done deal. There’s also the issue of funding. The total public art budget for Lincoln Park is about $250,000, however Soga’s proposals will need an additional $100,000 from the city. In a press release from IN: SITE, a resource for temporary public art in Milwaukee, IN: SITE Chair and MCPAC member Pegi Taylor outlines the additional costs: $100,000 design $40,000 materials $60,000 fabrication $20,000 foundation $20,000 installation and transportation $10,000 insurance Taylor also argues that the piece proposed by Soga is similar to sculptures that he’s installed in other cities, and says that the pieces are “cookie cutter.” Local artist and co-owner of The Green Gallery John Riepenhoff also voiced his concerns at the public meeting. Riepenhoff, along with artists Cat Pham and Sarah Luther also submitted a proposal for the site and made it into the top five selections, but were not invited to present their ideas to the public. “I feel like a few elements of [MCPAC’s] criteria that they set up for the selection aren’t met by Soga’s proposal,” Riepenhoff says, “ and he showed a lack of service to Milwaukee and the community.” On the other hand, artist and selection committee member Richard Taylor released this statement in response to opponents of the piece: “The committee considered many applications for this project, and came to a unanimous or near-unanimous conclusion. One proposal […]
Mar 12th, 2009 by Erin Petersen
Marcus Aurelius Redux
The first blog I wrote for VS was way back in April of ’08. Titled “Marcus Aurelius Online,” I’ve revived it with new answers to old questions. While ruling Rome, Marcus Aurelius Antonius wrote Meditations, setting down rules for living written in Greek. Stoic to the end (his end came in AD 180), Marcus Aurelius wrote them to himself, and in many ways his twelve books pre-figured the blogs of today. Book 1: “the certainty to ignore the dice of fortune…” Bones: Those who bought tickets on the ill-fated Titanic. Relive the grisly event at our Public Museum with a ticket bearing the name of an original traveler. At journey’s end you get to discover if that traveler survived or died….a gruesome roll of the dice from the world of marketing. Book 2: “Now the flesh you should disdain….blood, bones, a mere fabric and network of nerve, veins, and artifacts. Bones: Okay, cut yourself some slack and disdain the Bronze Fonz, too. Book 3: “Do not waste the remaining part of your life in thoughts about other people, when you are not thinking with reference to some aspect of the common good.” Bones: Advice to sour grapes Republicans and in particular, Mr. William Jefferson Clinton. Book 4: “Remove the judgment and you have removed the thought, ‘I am hurt,’ and the hurt itself is removed.” Bones: Rejects from the 2008 Mary Nohl Fellowship thing. Writers who didn’t make the Cream City Review. Book 5: “If on the other hand harm is done to the city, you should not be angry, but demonstrate to the doer of this harm what he himself has failed to see.” Bones: Developers who insist we need more condos. Book 6: “Some things are hurrying to come into being, others are hurrying to be gone, and part of that which is being born is already extinguished.” Bones: Art galleries, blogs, White House staffers, daily newspapers. Book 7: “The art of living is more like wrestling than dancing, in that it stands ready for what comes and is not thrown by the unforeseen.” Bones: Broad Vocabulary, Milwaukee Shakespeare, Milwaukee Fashion Week, etc., etc. Book 8: “Everything has come into being for a purpose….a horse, say, or a vine. Does this surprise you?” Bones: Well yeah. What pray tell, is the purpose of bailouts? Book 9: “Enough of this miserable way of life, enough of grumbling and aping.” Bones: Get on with the plan. Print more money. Book 10: “The healthy eye must look at all there is to be seen, and not say ‘I only want pale colors’….this is a symptom of disease.” Bones: All arts organizations that deem themselves deciders of what goes where. Book 11: “No nature is inferior to art, in fact the arts imitate the variety of natures. If that is so, then the most perfect and comprehensive of all natures could not be surpassed by any artistic invention.” Bones: Museums and galleries will ignore this advice. Book 12: “Practice even what you […]
Dec 8th, 2008 by Stella Cretek
Visual Arts Picks, December 2008
Getting back to nature needn’t mean you’re a tree-hugger determined to save the earth. That said, in this season of ho-ho overkill, perhaps you’re in need of respite in the realm of visual arts. Start with the December 3 lecture (Art, Ecology and Social Change) by New York artist Betsy Damon. Its part of the Wednesday night series in the Arts Center Lecture Hall, 2400 E. Kenwood Blvd, and it’s a freebie! From now – December 27, Tory Folliard Gallery offers painters (Dennis Wojtkiewicz and Flora Langlois) whose views on flora and fauna are at opposite poles and from greatly different distances. Dip into Brian Knep’s Healing Pool in MAM’s Baker/Rowland Galleries (now – January 09). The funky “waters” are projected from the ceiling onto vinyl flooring, an ever-changing reminder that no matter where we walk, no matter what we do, we are bound to disturb the biological system. Ever changing too, was the 19th century cultural landscape of Wisconsin, and until January 4, you can explore those changes during The Finest in the Western Country: Wisconsin Decorative Arts, 1820-1900, also at MAM. Items include Crazy Quilt, 1893, a stitched-together-landscape which warmed a long ago Wisconsin bed. At Paper Boat Gallery and Boutique on December 5, witness the bright, other-worldliness of Life in WonderMountain by San Francisco-based mixed-media artist Lisa Congdon. Paper Boat is also a great place to pick up affordable gifts for your friends and family. Grab crocheted purses in gumdrop hues, key chains, pendants, magnets, baby onesies or a copy of Paper Boat owner Faythe Levine’s new book Handmade Nation. For more cheap and wonderful gifts, consult our guide on page 12. And Vital Source has a gift for you: everything you want to know about Act/React at MAM, with a DVD, artist cards, essays and more, all packaged in a clever orange box. The first person to me at <a href=”mailto:art@vitalsourcemag.com”>art@vitalsourcemag.com</a> wins the loot! VS
Dec 1st, 2008 by Stella Cretek
Roofin’ The Green
That’s a guy named Dieter in the foreground. His buddies are working on the flat white roof of the soon-to-be Green Gallery East at 15th & Farwell. Missed filmmaker/writer Mark Borchardt’s event at Green West (on Center St.).
Nov 28th, 2008 by Stella Cretek
MIke Brenner & Hair
This just in from Mike, along with a new-ish jpeg of his pate topped in pink. Yes, he’s still working on his MBA and emails that “The Decider” slot in The Onion will be mostly minimal and mostly previews. It’s hard to imagine him being minimal isn’t it, but certainly not hard to imagine him being part of The Onion.
Nov 26th, 2008 by Stella Cretek
Jimminy Crickets
Some things to consider: Walk. Run. Crawl. Cricket Toes is a new local site with a bit of this and a bit of that, fun and interesting, and so far, devoid of mouthy rants. Go to www.emergeartzine.com, a new quarterly (next issue is January 09) mag showcasing artists from Illinois, Wisconsin, Minnesota, Michigan, Ohio, Iowa and Indiana. Hopefully, it won’t be a publication disguised as an advertising vehicle. What’s needed is a clear and concise look at the featured artists which seem to be “emerging.” December 1 is the deadline for artists submissions for the January issue, and well, the hook is they’re charging $12 for 3 –10 submissions. I haven’t seen their October 08 debut issue, but it’s said to be in galleries here and there. Rotating “guest jurors” will decide who makes the cut. Ms. Ketarkus, owner and director of Grace Chosy Gallery in Madison will select for January. The mag is being navigated somewhere in Ft. Atkinson, Wisconsin. There’s been a strange lack of coverage for the Nohl Fellowship exhibit at inova/Kenilworth, and the usual whine about the decline of female contenders for the title of “established,” and/or “emerging.” All in all, it was a decent show, but wouldn’t have been without the addition of the Black Box section for viewing film & video. Is the tail wagging the dog? The newest batch of Fellowship winners are heavy into those disciplines.
Nov 25th, 2008 by Stella Cretek
Nohl Rap
The gender issue surrounding the annual Nohl Fellowships is a dead issue, but if you must beat it to death, you may as well ask how many racial minorities made the cut? Anyone with disabilities? How about old folks like me? Perhaps fewer women than men applied for the fellowships? You’re chasing your tails folks. Since when should awardees be selected on the basis of anything but what’s in front of the faces of the judges? Get over it. How many of you readers have actually visited the current Nohl event at inova/Kenilworth? I’ve been there three times and never noticed anyone else but the reflection of myself in the windows. Plus a few faces staring at me from the outside of the Prospect Avenue entrance. I even ran out and tried to entice outsiders in, to no avail. But hear tell, the place was packed on opening night, which is party time and schmooze-ville. Nothing wrong with that, but art is more than wine & cheese, or beer & brats. Recently a local gallery dealer sniffed that he didn’t like the show. His nose actually wrinkled as if he was inhaling the scent of Limburger cheese. His lip curled. And while we’re at it, how many gallerists ever visit each others’ exhibits? Can you name three? Two? One? Art sales are at a new low (lower than usual in M’waukee). Auction houses are in a snit. As the scene shrinks, the pressure mounts for more and more coverage of the visual arts. Ad sales plummet, printing costs rise, publications tank in the wake of online coverage. In the 80s, the economy fueled art sales and everything else open to inflationary prices, and then, wow! it all came tumbling down, in a kind of art foreclosure sale. Of course there are still uber-bucks around to purchase the really BIG stuff, and allegedly, “bargain” hunters are swooping in to scoop it u. Vultures.
Nov 24th, 2008 by Stella Cretek
