Classical
Angels with vielles
Shira Kammen & Margriet Tindemans caress 14th-c. Italian songs with vielles, harp and rebec. Danny Mallon adds the dance beat.
Feb 18th, 2012 by Tom Strini
A tempestuous “Tempest,” after Haydn and Brahms
Clarinetist William Helmers makes a fourth for Paul Moravec's "Tempest Fantasy," after Shakespeare.
Feb 13th, 2012 by Tom Strini
Youthful voices, distinguished performance
The 75-member ensemble brought their distinctive sound and selfless commitment to the Marcus Center Saturday.
Feb 12th, 2012 by Ellen Burmeister
Isn’t It Romantic?
The Florentine Opera's four Studio Artists sing Milwaukee a valentine.
Feb 12th, 2012 by Mary O'Hara Stacy
Tchaikovsky’s drama, Copland’s blast
Milwaukee Symphony: A Russian's take on "Romeo and Juliet," plus some "Nutcracker," and some all-American Copland.
Feb 11th, 2012 by Tom Strini
The Florentine’s romantic for tenor Matt Richardson
Richardson and the Florentine Opera's other three other young resident singers featured in Valentine's concert this weekend.
Feb 9th, 2012 by Tom Strini
“Jaleo” (“hell-raising”) in South Milwaukee
Carlota Santana's flamenco troupe brings Spanish culture to the South Milwaukee Performing Arts Center.
Feb 7th, 2012 by Kat Murrell
Kayhan Kalhor and Brooklyn Rider sublime at Alverno
The Iranian virtuoso and American string quartet collaborate to create a rich tapestry of sound that blends East and West.
Feb 6th, 2012 by Jennifer Reinke
Joyce Yang’s sublime Rach 2
Edo de Waart and the MSO are serious about Rachmaninoff, and so is Joyce Yang, a great young pianist.
Feb 4th, 2012 by Tom Strini
Violinist Gil Shaham is special
Gil Shaham spreads the joy in the Brahms' concerto, de Waart and the MSO reprise Schubert's Eighth.
Feb 2nd, 2012 by Tom Strini
Lisztomania hits Frankly Music
William Wolfram, Frankly Music's guest pianist, reminds us what all made Liszt's 19th-century groupies scream and faint.
Jan 30th, 2012 by Tom Strini
Skylight revives a fun, sometimes-clunky “Gershwin and Friends”
Cobb and Collier shine through an occasionally over-structured revue.
Jan 30th, 2012 by Matthew Reddin
