Classical

  • Simply the best

    By Evan Solochek + Photos by Kat Jacobs and Gene Martin He is one of the recording industry’s true living legends; some call him the godfather of modern music. His name is as synonymous with rock & roll as Jimi Hendrix or Eric Clapton. What’s that? You say you’ve never heard of him? Well, take […]

  • Robbie Fulks

    By Allison Berndt The best way to describe Robbie Fulks’ new album Revenge! is to call it an eclectic hillbilly mix produced live on the road for an audience that’s looking for some good ol’ country music alongside a good laugh. Well, it’s true. Fulks, known for his catchy country songs and humorous lyrics, has […]

  • Feist

    Leslie Feist has all the makings of a classic indie girl – completely indecipherable, yet at the same time completely able to be pigeonholed. For one not familiar with Feist, the Canadian has some pretty ridiculous credits racked up: from the electro-shock value of Peaches to the pretty indie-pop of the Broken Social Scene (not […]

  • Bright Eyes

    Polarizing indie icon Conor Oberst lobs his first full-length studio album since 2005’s simultaneous releases I’m Wide Awake, It’s Morning and Digital Ash in a Digital Urn. Cassadaga, Florida, renowned “Psychic Center of the World” and the “South’s Oldest Spiritualist Community,” is the CD’s namesake. Songs about self-cleansing, balancing out and finding home emphasize the […]

  • Patti Smith

    The word “mulatto” jumps from Nirvana’s “Smells Like Teen Spirit,” the National Anthem for the blanker than blank generation. And until all the kids memorized the lyrics and drove Kurt Cobain over the edge it was that one word that hung like cool, moist ground fog on a hot summer night. But before Nirvana there […]

  • Andrew Bird/Apostle of Hustle @ Alverno’s Pitman Theatre, April 21

    Announcing that the audience at Alverno’s Pitman Theatre was about to experience the venue’s only ‘rock’ show of the season, opening act Apostle of Hustle began their set. It was filled with punchy banter from front man Andrew Whiteman, flippant statements on politics, co-eds and drug culture and lots of new material from their latest […]

  • Unintended consequences

    By Jon M. Gilbertson Sweden apparently values a well-rounded education for its children. That’s probably why Emil Svanängen – the man who releases modestly constructed, eminently beautiful albums under the curiously affectionate name of Loney, Dear – was playing clarinet when he was 8, then playing piano and fronting a jazz trio in his teens. […]

  • April 2007

    Thoughts on “Low Numbers” Your “Strength In Low Numbers” [Covered, March 2007] piece was a good read, one of the more comprehensive looks at WYMS that has appeared in the local press. I started working there in late 1981, and saw my 21-year career end rather unceremoniously in April, 2004. In between I hosted talk […]

  • Cyann & Ben

    By Nikki Butgereit Sweet Beliefs, the third album from Paris-based quartet Cyann & Ben, could be a soundtrack to a film comprised of views from a car window on a psychedelic drive. The tracks pile vocals on top of synthesizer effects on top of organ and piano on top of guitar and drums. The effect […]

  • The Fall

    The mid- to late ‘70s was a time of musical change. If the ’60s “free love” culture, though hopeful, was not enough to transform mass awareness, then the “fuck you” attitude of punk and post-punk was the necessary conduit for change. Though The Ramones and The Sex Pistols captured the spotlight, no other band was […]

  • April 2007

    April 3rd The Academy Is… Santi Fueled By Ramen Boys Like Girls Boys Like Girls Red Ink/Columbia Brandi Carlile The Story Columbia Chevelle Vena Sera Epic Jarvis Cocker Jarvis Rough Trade/World’s Fair Fountains of Wayne Traffic and Weather Virgin Kings of Leon Because of the Times RCA Los Straitjackets Rock en Espanol, Vo. 1 Yep […]

  • The Arcade Fire

    “World War Three, when are you comin’ for me?” Win Butler of the Arcade Fire poses the question in Neon Bible, which is saturated with natural disasters, social unrest, fundamentalist discontent and the toxic emissions from celebrity culture. Arcade Fire opens its mouth to the world, attempts to swallow it, digest, then spit it back […]