2008
Naked is a state of mind
2007 was quite a year. It’s a true and complete summary, and pretty much expresses the one universal aspect of the passage of the twelve month period we’ve culturally agreed spans a calendar cycle. The events themselves were for me,as for you, momentous in ways, predictable in others. Periods of unbelievable chaos intermingled with bouts of monotony and fits of restlessness. And like you, I grew in ways and probably shrank in others. Also like you, I learned a few things and remembered a few I’d forgotten (to my detriment) and which, like thousands of other unimaginative columnists and bloggers reflecting on the old year and projecting for the new, I will share with you now in list form. Living on your own terms is better than lots of money. It truly is, unless money alone is how you set the terms. When you’re happy and you know it, then your face will really show it. People respond to positive vibrations, of course they do. Strangers smile at you, old men chat you up at the hardware store, kids and dogs climb all over you (but not cats – they’re consistently drawn to whoever doesn’t like them). Don’t fake it, though. That’s creepy and easy to identify. Speak your mind when you have the chance. I learned this one the hard way, with a now-former dear friend. By the time I was honest about my fears for her, it was too late. I was already irrelevant. Save your change. A lot of people already know this, but I came late to the game. Naked is a state of mind. This is possibly the most interesting thing I learned this year, when we published last month’s holiday cover featuring a beautiful young woman clad only in snow and a big red ribbon. Most folks loved the playfulness of it, though a few were concerned that we were objectifying women (Incidentally, we’re almost all women over here). Some mused (including two other publishers – go figure!) that we might have done it to sell more ads: a crazy idea, as anything vaguely risqué in Milwaukee tends to scare away more advertisers than it attracts. I’ve taken the liberty of showing, through a sloppy application of Photoshop, that she’s actually less naked than if she were wearing a bikini. We got almost halfway through the month before the crazies started weighing in, but I guess it was inevitable. The one below is my favorite. Needless to say, fisher8624 never wrote back. I’ll leave you with it, as well as my response. VS —–Original Message—– From: fisher8624@yahoo.com Subject: Your Nude Cover FYI – a whole army of good upright people are taking stacks of your magazine with the nude cover and throwing them in the nearest trash can. STOP SPREADING PORN !!! We do not live in the backwoods of Africa where people run around with nothing on !! Your cover people may have such uncivilized tendencies but most of our society is civilized […]
Jan 1st, 2008 by Jon Anne Willow
A part of the solution
In the auditorium of the John C. Cudahy YMCA, the basketball hoop blocks the view of the stage. Kendall tells the lanky teens shooting hoops to go upstairs for a while so Scott can set up his tripods, flashes and umbrellas. This is the only YMCA in the country built specifically to accommodate the arts. Set on 55 acres of wooded land – formerly John C. Cudahy’s farmstead – and home to a “safe place” where teens can study, use computers and play sports and video games, it’s a far cry from the popular image of the Y as a fitness club, a place to play racquetball and run laps on the track. Kendall Hayes, now 20, joined AmeriCorps right out of high school. He’d been working so many hours at the branch’s front desk as part of STEP-UP (a career development program for high school students run by the county’s Private Industry Council) that a friend suggested he might as well earn volunteer hours and collect an education award as a full-fledged AmeriCorps member. Now he’s in his second year of service at the YMCA, where he helps students in the teen program with everything from homework and test preparation to setting up bank accounts and working creatively. “[I try] to get kids to stay active, to get them to expand their horizons and open them up to new things,” he says, “not just coming here to play basketball every day, but getting them to do something artsy, or getting them to go back and help their community.” Right now, Kendall is working on developing an art guild for the teens that would incorporate creative writing, music and visual art. AmeriCorps members can serve a maximum of two terms and qualify for the education award, and when his term is up, Kendall plans to go to the University of Wisconsin-Milwaukee, maybe to study recording arts and psychology. “I’m the type of person that likes to do everything, [and] AmeriCorps has offered new possibilities for me … We’ve [done everything from] helping inner city youth to working on Philadelphia Community Farm to disaster relief training,” he says. “[But] going back to school is a whole different section of my life.” Still, he says, “I do wish that I could stay longer. There’re a lot of different opportunities and I don’t feel that I’ve experienced it all. And I’m always willing to lend a helping hand.” Kendall’s commitment to public service is unadorned, stunningly simple. In our interview, he speaks gracefully about what service can do for communities – and what community service gives to those who serve. The organization In 1993, then-President Bill Clinton established AmeriCorps as the country’s flagship service initiative. It’s often assumed to be a single program, like the domestic version of the PeaceCorps, but AmeriCorps is actually a network of organizations, a bear hug that encompasses four primary programs: AmeriCorps*State and AmeriCorps*National, which provide funding and volunteer resources to statewide and national organizations; the National Civilian […]
Jan 1st, 2008 by Amy Elliott
The road goes on forever
As work on the Marquette interchange reconstruction project nears completion, I find myself impressed by the enormity of the project as well as with the relative lack of inconvenience it’s caused. Sure, there were occasional delays, as well as closed exits and lanes that added minutes to commutes, but overall, the level of congestion and other problems never seemed to exceed tolerable levels. After all, if you choose to live in an urban area, a certain degree of crowding and waiting is part of life. In a way, it’s too bad. Anyone who feels that we are overreliant on the automobile knows that the only time most people will consider alternative options to driving is when there are significant costs associated with cars. In other words: no pain, no gain. Of course, Americans are notoriously attached to their cars. Even skyrocketing gas prices don’t seem to make a dent in our dependence on the automobile. Here in Milwaukee, we are fortunate to have it pretty easy when it comes to getting around. Driving from one side of town to the other rarely seems to take more than twenty minutes. The rush hour traffic reports usually sound like we live in some kind of Pleasantville with clear roads and minimal delays. People who grumble about traffic or the cost of parking clearly haven’t traveled much. Drivers in Chicago, New York and Boston face extreme traffic congestion, as well as expensive parking costs that encourage alternatives. Not surprisingly, all three cities have extensive subway systems. The one place where there is gridlock here in Southeastern Wisconsin is on the road to funding new or expanded mass transit options. The proposed extension of Chicago’s Metra system from its terminus in Kenosha to Racine and Milwaukee, known as the KRM line, gets a lot of support – that is, until the subject of dedicated local funding comes up. Under pressure The proposed increase in the tax on rental cars to support the KRM didn’t survive the state budget, leaving advocates for the line hoping they can build support for a referendum on a regional sales tax increase. Good luck with that. In addition, Milwaukee Mayor Tom Barrett and County Executive Scott Walker are at odds over proposals to improve the local transit system, continuing an impasse that goes back more than ten years and leaves about $100 million in federal funding on the table. Sigh. It’s yet another example of a pressing public issue crying out for leadership and regional cooperation. Which brings us back to the Marquette interchange project and the efficient, though costly, road construction program. Why is it that road construction barrels on while so many other needs struggle for funds? To adapt a popular bumper sticker, perhaps one day schools will have dedicated funding and road planners will hold bake sales. But that won’t happen anytime soon. With the Marquette project wrapping up, the state has ambitious plans to expand Interstate 94 down to the Illinois border at a cost […]
Jan 1st, 2008 by Ted Bobrow
Human Bell
Nathan Bell (Lungfish,Television Hill) and Dave Heumann (Arbouretum,Bonnie “Prince” Billy) could be the musical equivalent of Civil War re-enactors. Their conspired effort, Human Bell, creates an atmosphere akin to that of an organic battlefield – a dirge-y sweep of chaos, simultaneously cold as metal and mellow as a field of grass droning with insects. Recorded by Paul Oldham and mixed by John McEntire, the guitar strings sound as though they reverberate into a tin cup while the crash cymbals and brushes fight to be the main percussive attraction. Add lots of meandering fuzz to the steady progression of songs, and they grow and change just by standing still. Bell and Heumann give us a Tortoise-like bite to chew on – a veritable novel for an audience accustomed to short stories. Through wave after wave of this seemingly cathartic sonic expedition, songs alternate between the quiet, such as “Ephaphatha (Be Opened),” swaying in a brassy swaddling of horns, and the forceful, calculated twitchiness of “The Singing Trees.” Human Bell’s self-titled release is a test in endurance, but should be savored for its meditative qualities. The duo lives up to their name (an uncanny combination of the musician’s surnames), their music widely resonating even during their live shows, when two skeleton guitars must manipulate the body of their recorded music. (On their album, Bell and Heumann host guests such as Matt Riley, Michael Turner, Pete Townshend and Ryan Rapsys.) Human Bell encapsulates a quiet beauty that is at once reflective, progressive and sparklingly macabre.
Jan 1st, 2008 by Erin Wolf
