2008-10 Vital Source Mag – October 2008
The Sea and Cake
The latest album from Chicago’s The Sea and Cake finds the band mid-lap on the race begun on last year’s Everybody, in which the jazzy, poppy, light post-rock was more ebullient than the band’s debut material in 1993. The mid-lap shows whether the participants are capable of following through. The Sea and Cake have produced a fluid group of songs, most likely because these are their most quickly-penned compositions to date. Last year’s album had an effervescence it might not have claimed without the four years between it and 2003’s One Bedroom. That lifts the burden of the element of surprise from Car Alarm, which takes much of its attitude from the less-than-ayear-old Everybody. Sam Prekop – more Chet Baker than Stephen Malkmus – builds on the momentum of the previous release, which reached for the roots of Nassau-esque jazzy-pop and abandoned the more electronic leanings of One Bedroom. What the band had abandoned at that point is what makes Car Alarm kick in. A noticeable element of urgency gives a spark to opener “Aerial,” with driving drums and strong but fuzzy guitars making way for hints of electronic noodling. A driving tempo and smooth, steady instrumentation is tailored for natural electronic inclusions in the run of the album. This occurs in the oxygenated “CMS Sequence” – one minute and eight seconds of straight-up electronica, and a genre precursor to “Weekend,” which mixes the jazz-pop and electronic flavors nicely. Think of Everybody and Car Alarm as participants in a relay race consisting of two people: the strong and steady starter followed by a substantial and sparkling finisher.
Oct 1st, 2008 by Erin Wolf
VITAL Source 2008 Halloween Guide!
A Theater of Lost Souls October 3, 4, 10, 11, 17, 18, 24-26, 29-31; November 1 500 E County Y, Oshkosh A Theater of Lost Souls has been completely redesigned in 2008 to give you one of the most frightful Halloween experiences in the area, complete with monsters, a black light theater, and “Your Last Ride” – a too-freaky-to-be-believed funeral simulator. Only for the bravest and most sound of sanity. 920-731-8555 or atheateroflostsouls.com Bear Den Haunted Woods October 3-4, 10-11, 17-18, 24-25, November 1 6831 Big Bend Rd., Waterford Arrive at the Bear Dean Haunted Woods via hearse, then see if you have the mettle to survive a hike through a “feasting graveyard of the walking dead.” The whole attraction takes place in the woods, and it’s been consistently rated one of the scariest in the region. Not to be missed! 262-895-6430 or beardenzoo.com Burial Chamber Haunted House October 3-4, 10-12, 16-19, 23-26, 29-31; November 1 500 N. Lake Street, Neenah The Burial Chamber Haunted House is actually four attractions in one, including two indoor haunted houses, one outdoor haunted house and FOUR burial simulators. Creepy. This Hollywood-style haunted complex was voted #1 by Haunted Wisconsin last year. burialchamber.com Deadly Intentions Haunted Yard October 30, 31; November 1 1621 N 26th St., Sheboygan Here’s something different: this home haunt in Sheboygan is legendary, and its intimacy is what gives it its frightful potency. Leave the kids at home for this free haunt – there’s lots of blood and gore. But how can you pass up a personal scare in someone’s yard? You shouldn’t. 920-254-4354 Dominion of Terror October 3, 4, 10, 11, 17, 18, 24-26, 29-31; November 1 2024 North 15th Street, Sheboygan The Dominion of Terror is over 30 years in the making. No room is ever the same and the horrifying characters you’ll encounter are brandnew. Dominion of Terror lives up to its name as one of the most mind-bending and gruesome festivals of insanity in the area. 920-918-2270 or dominionofterror.com Fall River Chamber of Horrors October 10, 11, 17, 18, 24, 25, 31; November 1 W1404 Heppe Road, Fall River The Fall River Chamber of Commerce presents the Chamber of Horrors, a snaking series of long halls, dark corners and sentinel scarecrows. Afterward catch a scary movie on the lawn or take a hayride through the corn field – a great way to unwind after a great scare. 920-484-6099 Fright Hike October 31; November 1 Lapham Peak State Park, W329 N849 Highway C, Delafield How does that story go about dark woods in the middle of the night? There are probably dozens of urban legends that begin – and end – with a hike through the wilderness, and you can live out the terror with a one-mile Fright Hike through the terrifying trails of Lapham Peak State Park. Spooky! 262-364-7773 or frighthike.com Gilly’s Haunted House October 3, 4, 10, 11, 17-19, 23-26, 30, 31 1559 W. Forest Home Ave., Milwaukee A dilapidated big tent is the setting […]
Oct 1st, 2008 by Amy Elliott
Jolie Holland
Things don’t always turn out as they should, but Texasborn singer/songwriter Jolie Holland has no desire to turn life’s lemons into anything but woeful songs. With addiction, depression, and both shattered hearts and dreams rampant, the fine line between dead and alive is often indistinguishable. It’s not ideal listening material for those with suicidal tendencies, but fans of the country-blues will find Holland’s fourth studio release relaxed and fluent. Holland’s warm fiddling on “Sweet Loving Man,” which could play on any smoky small-town bar’s jukebox, makes it a favorite. Though her warbling vocal style borders on annoying when it’s too ambitious (is there a tongue depressor in her mouth?), her whistling on the disc’s two most traditionalsounding folk songs, “You Painted Yourself In” and “Love Henry” is beyond impressive, and could easily be mistaken for singing saw. Portlanders M. Ward and Rachel Blumberg (formerly of the Decemberists) make notable contributions — Ward’s rock-influenced guitar on “Your Big Hands” adds pick-me-up spunk to sad-sack lyrics, and Blumberg’s drumming, particularly on “Corrido Por Buddy” and “Mexico City,” has just enough heft and meter to keep the arrangements from dragging. Dishes clang behind the giggly acoustic cover of “Enjoy Yourself” (“it’s later than you think”), and though it seems like an unnecessary, tack-on closing track, it seals in the admirably pragmatic outlook Holland has been singing about throughout: “I’ll dance at your funeral/if you dance at mine”(“Palmyra”).
Oct 1st, 2008 by Amber Herzog
