2007-03 Vital Source Mag – March 2007
Consolidating control of the Titanic
By Donald Kaul Admit it, you were fooled. You listened to that wimpy State of the Union address and you thought President Bush was in full retreat before an angry electorate. Yet again you misunderestimated the man. The retreat was merely tactical. Less than a week after the speech, he returned to the fray, guns blazing. He signed a Presidential directive that, in effect, grants him control over all federal rules and policies developed to protect public health, safety, the environment, civil rights and privacy. The directive, which does not need Congressional approval, requires regulatory agencies to have a policy office run by a political appointee who makes sure proposed regulations don’t cost the regulated industries too much. (And by “too much,” I would imagine, they mean “anything.” ) In the past, such regulations have been the responsibility of career civil servants and scientists. From now on, political hacks will be running the show, preferably ones who don’t believe in abortion, stem cell research or evolution. If you liked Katrina, you’re going to love the next two years. As Rep. Henry Waxman (D-California) said: “The executive order allows the political staff at the White House to dictate decisions on health and safety issues, even if the government’s own impartial experts disagree. This is a terrible way to govern, but great news for special interests.” It occurs to me that what President Bush is doing, in his way, is resurrecting the administration of Richard Nixon. Like Bush, Nixon tried to put his political operatives at key positions in virtually every department of the government, to better exercise power. Like Bush, he wire-tapped his enemies, opened their mail and spied on them. He also had a burglary team working for him and we don’t know whether President Bush has one of those – yet. The genius of Bush, however, is that while Nixon had to resign his Presidency and nearly went to jail for his crimes, Bush commits them openly and no one lays a glove on him. It’s the War on Terror, don’t you know. Everything he does is legal because he’s a war president and he says it’s legal. It’s a terrific hustle and you have to give him credit for pulling it off. So he’s down in the polls a little, so what? The people he’s taking care of now will take care of him down the road. I do worry about our vice president, however. He seems to have gone a little…I don’t know…soft in the head, I guess you’d call it. A couple of weeks ago Mr. Cheney sat down with CNN’s Wolf Blitzer and answered critics of the war in Iraq. “Hogwash.” That’s what he called the criticisms. The war, far from being a failure, has been a string of “enormous successes,” he said. We got rid of Saddam, we got rid of his sons, we established a democracy in the Middle East, we gave the Iraqis a constitution. “The world is much safer today because […]
Mar 1st, 2007 by Vital Archives
Ted Leo and the Pharmacists
Ted Leo might occasionally feel nostalgic – one of his best-known songs, “Where Have All the Rude Boys Gone?,” yearns for old-fashioned ska – but he’s not. Better than any other current musician, he understands that punk rock is unfinished business: a promise that needs to be kept. He also understands that punk rock is less a style or an ideology than a commitment, and that understanding suffuses Living With the Living. Leo has never shied away from songwriting variety, but this album might be his most wide-ranging yet, even as it showcases a further tautening of the threads connecting him to Pharmacists bassist Dave Lerner and drummer Chris Wilson. Some of the paths Leo and the Pharmacists take aren’t particularly unexpected. “Bomb.Repeat.Bomb” is a typically blistering, coolly angry attack on attackers, “A Bottle of Buckie” explores friendship via an Irish-American take on the Pogues and “Army Bound” cuts Leo’s razor-barbed guitar riffs across a martial rock beat. But “The Unwanted Things” is a surprisingly fluid, sweet angle on the punk-reggae combination explored so well by Elvis Costello and The Clash, while “La Costa Brava” mixes crunchy pop-rock with a romantic urge to travel to sunnier climes. If Leo weren’t in such good, tuneful voice, these stylistic transformations would be even more surprising than they are. Producer Brendan Canty of Fugazi helps to keep the music lean. Ted Leo’s intelligence and intensity come through quite clearly, each undimmed by the other. Living With the Living keeps the promise. VS
Mar 1st, 2007 by Jon Gilbertson
Cé
By Evan Solochek + Photo By Richard Galling With Milwaukee’s strong Irish heritage, it’s no wonder that traditional Irish music is a fixture in this city. For proof, just check out Irish Fest, the Badger State Feis, the Cream City Feis, the renowned Celtic Irish Studies Program at UWM and the numerous pub sessions that occur on a weekly basis throughout the city. And prominent at each one of these Irish institutions is Milwaukee’s very own Cé. This local trio, made up of Asher Gray (flute, whistle, bouzouki, bodhrán), Randy Gosa (guitar, tenor banjo) and Devin McCabe (fiddle, concertina, whistle), play traditional and contemporary music from Ireland, England and Brittany. And while young, these three multi-instrumentalists have more than 35 years of musical experience between them and bring to this old-world craft a unique modern perspective, not to mention a level of skill often only seen in musicians twice their age. To hear more from Cé, check out myspace.com/cemusic or cemusic.net. 1. How did you three meet? I (Asher) met Devin when I was 14 or 15 and we’ve been playing together in sessions and different bands like Anam Rí and now Cé. Around the time that Anam Rí was coming to an end we started playing tunes with Randy in sessions around Milwaukee. It just seemed right that the three of us start a new group because we all shared a common passion for the music. 2. How would you describe Traditional Irish music to someone who had never heard it before? Traditional Irish music is dance music. It is directly connected to the roots in the dancing that accompanies it. Tunes provide a framework for dancing and for musicians to improvise over. 3. How does your young age affect your reception from either the audience or fellow Irish musicians? People who aren’t familiar with the music are sometimes surprised to see three guys in their 20s playing traditional music. I think it gives a little edge and helps to keep the audience’s attention. Anyone that plays it, though, knows that it’s music for all ages. I wouldn’t be surprised to see an 8 year old playing with an 80 year old. 4. Who would Cé like to collaborate with and why? We have always wanted to work with singers. As an instrumental band, our music yearns for that final element of vocal expression. Recently, Randy has been working with a singer from Boscobel named Andreas Transo, who would be a lovely addition. 5. What are your goals for Cé? We’re focusing on getting more gigs around the country and in Europe. There are so many great festivals and venues all over the world that focus on world and Celtic music. We’re also going to record a new album and hopefully release it this summer. VS
Mar 1st, 2007 by Vital Archives
After the party – How to handle the pox
By Lucky Tomaszek In February, I shared with you all my friend Jesi’s successful quest to expose her two children to the chicken pox. The reactions I received from people were wildly varied, with some readers telling me about the chicken pox parties they had when their own children were young and others telling me that they unequivocally believe in the advances brought to us by mandated vaccination. The one common thread, however, was a memory of someone completely covered in pox and how awful it was. Most of the time, chicken pox is a minor illness that causes fairly minor discomfort. This is not always the case, however, as my own family discovered just days before my last column was published. My oldest daughter, Lena, woke up on a Sunday morning with three chicken pox on her belly and one on her scalp. She was running a low-grade fever and had the sniffles. We had exposed her to a young neighbor 23 days before this and I had assumed that it was going to pass her by again, as the incubation period is typically 14 to 21 days. In a rather self-congratulatory way, I picked up some colloidal oatmeal bath packets and Calamine lotion and prepared to spend a day or two comforting her through the worst of it. The typical varicella routine unfolds like this: one to two days of a low grade fever, the sniffles and maybe some coughing before any pox are seen; one to two days with the same symptoms and with pox erupting on the scalp and on the torso; one to two days of getting new pox; a couple final days of the pox crusting over and forming scabs. Pretty straightforward, right? Not this time. By Sunday night Lena’s fever had gone up to 103, where it stayed for four days. Each day, more than a hundred new pox appeared. She was exhausted, listless and had very little appetite. Party favors It didn’t take long to realize that colloidal oatmeal and Calamine lotion were not going to cut it. I turned to parents who had dealt with the pox for advice. One of the first things suggested was making Lena some Jell-o. I don’t usually keep that stuff in the house but my friend was right, Lena needed something. For about two days, it was one of the only things she could eat, and it even tasted good to her. She also recommended using a Burrows solution that you apply directly to the pox as part of a warm compress to help dry them out and promote faster healing. I found some at our local pharmacy. Every couple of hours I made a fresh batch and Lena found these to be very soothing. The colloidal oatmeal baths were also soothing but were made even better by making an oatmeal pouch for her to rub on her itchiest spots by filling a washcloth with oats and tying it off with a rubber band. Since […]
Mar 1st, 2007 by Lucky Tomaszek
