Commentary
Yeah, we’re five
By Jon Anne Willow + Mehrdad J. Dalamie From Mehrdad: February 2007 marks the beginning of the sixth year of VITAL Source. As I look back, I cannot help but wonder if we would have survived doing it any differently. By that I mean that all the ambition in the world would not have meant anything without all the sacrifices we made; running two businesses, virtually hundreds of hours a week; sleep deprivation, zero financial resources and so much uncharted territory could and would push any normal person out of the rat race in which we found ourselves. I’m not sure what other forces were behind us but a few are certain. The love and desire to be an alternate voice within Milwaukee’s established media brought us here in the first place. And more importantly, the desire by the public, you, to hear what we had to say has kept us going. I started VITAL, but the second year brought a fresh breath and perspective, an intelligence that transcended all that previous, and like rocket fuel propelled us forward: Jon Anne Willow, my partner in my madness, to whom everything is indebted. We are celebrating our fifth anniversary on February 24th and we’d like you to join us. It would not be possible without your support. Thank you, Mehrdad J Dalamie Co-Publisher Dear Readers, Mehrdad is too nice. He’s been the water all along, holding up the boat so it doesn’t sink. All the wind in the world doesn’t matter if you’re dry-docked, and VITAL would be if not for him. He does all manner of unglamorous, sometimes seemingly unrelated work at all hours of the day and night to make sure our little ship of enterprise sails; he is the unsung force behind our continued existence. So next time you run into him behind the bar at Bremen Café, shoveling the sidewalk or delivering copies of the magazine, see him as a man who understands what it means to do whatever it takes to make dreams come true. He is that man, and I am grateful to know him. And as he said, it’s our birthday this month. How cool is that? This year has marked the launch of our new website (complete with blogs and all the modern bells and whistles), an increase in circulation and distribution, growth in advertising sales and most importantly, a spike in something intangible – access and awareness within the community. You’re telling us about stories that need to be told, inviting us to your events, coming to ours, writing us letters, visiting our website, being our myspace “friends” and generally showing us that you like VITAL (really, really). And that’s incredibly cool. So this issue is full of presents for you in the form of puzzles and games. Dwellephant’s maze opens the section and Brian Jacobson did one called Silent Sentinels which is all photos of local statues where you guess where they are and what they represent. Some of them are […]
Feb 1st, 2007 by Jon Anne Willow
Why the caged bird sings
If you had asked me a couple of years ago, I would have thought that “Extraordinary Rendition” was something that Barbra Streisand did at her shows; but the reality is decidedly more grim than a chorus line performance of Yentl. Extraordinary Rendition is, in fact, the name for our governments’ extrajudicial practice of kidnapping, detaining and utilizing third-party nations to torture individuals with “suspected terrorist links,” a practice that is destroying our nation’s moral credibility and eroding the foundations of our Constitution.
Jan 1st, 2007 by Vital Archives
And trade “them” for what?
By Jon Anne Willow Dear Readers, Being a monthly publication has its disadvantages of timing. Never is this more apparent to me than when I have to write this column before a momentous event, knowing most people won’t read it until after. Such is the case with these midterm elections. As of this morning, both liberal and conservative think tanks are predicting that Democrats will pick up 18-22 seats in the House (15 are needed for a majority) and 2-3 seats in the Senate (of the six needed for a majority). In short, by the time you read this, it’s likely that Democrats will take back one of the houses and hold a stronger position in the other. It would seem that change is in the air. But I’m troubled. The other evening, VITAL hosted a screening of Robert Greenwald’s Iraq For Sale: The War Profiteers to a packed room at Bremen Café. Granted, this is pretty far-left stuff, attracting mostly those who already know they’re mad as hell and aren’t going to take it anymore, so I wasn’t surprised that the lively talkback session after the film touched on wholesale revolution in the streets. But as PeaceAction’s George Martin whipped up the crowd with enthusiastically rejoined calls to “Send them home!” I couldn’t help but ask: And trade “them” for what? Is our collective memory so short that we’ve forgotten that Republicans rode into Washington in 1994 as reformists, vowing to end a very real decade of Democratic power-mongering and scandal? Does anyone recall that even though Democrats are campaigning on Bush’s poor handling of the “War on Terror,” 145 of 211 Democratic Representatives voted in favor of the 2001 USA PATRIOT Act and only one Senator against? Or that 66 Democrats in the House voted in favor of the reauthorization in 2005 and only three Democratic Senators against? Are we impressed today by Congressmen like Sherrod Brown (D-Ohio), who positions himself as the “People’s Defender” yet voted in favor of Bush’s recent evisceration of the Constitution as it pertains to prisoners of war? Will Democratic voters, at some point, acknowledge the irony of their present mood? Let’s put this in perspective. This election serves one very valuable purpose: to restore some modicum of party balance within the three branches of our federal government. But a Democratic House will not have the power to make sweeping changes to our domestic policies on health, education, jobs, campaign reform and the federal budget. And even if the will to do so is there, this cash-strapped nation is so committed to military spending at this point that to withdraw significant funding from the war to reallocate it to domestic interests would potentially put the lives of our deployed soldiers in even greater peril. I’ll lay down money that few Democrats with future political aspirations will take up that charge, for fear of alienating their home base and drawing easy fire from angry, organized Republicans. It’s all very interesting. While I applaud the […]
Nov 1st, 2006 by Jon Anne Willow
What kind are you?
By Jon Anne Willow Dear Readers, My boyfriend is my favorite kind of conservative. A drive past a “Give Peace a Chance” yard sign is enough to get him started. “I don’t want to hear from anyone about being unhappy with the way things are going unless they have a plan to change it,” is one common complaint. If I mention that he himself is unhappy with “the way things are going” he is quick to point out that he’s not complaining. (God forbid we ever end up at a red light behind a “Republicans for Voldemort” bumper sticker: The only thing that bothers him more than liberals without a plan is fantasy andscience fiction.) When afforded these impromptu opportunities to engage in political debate, the conversation plays out predictably. He lays out his argument with the usual tent stakes of the superior organizational power of the Republicans and his support of decisive action and a clear agenda over ideological drift and Tower-of-Babel pluralism. His resolve typically begins to falter, though, when questioned directly on whether the decisive actions to which he refers represent sound policy, and whether the clear social and moral agenda of his party truly adhere to the founding principles of Republicanism. Like many conservative individuals, he is a person of common sense, secretly disappointed in just how far his party has strayed from its core values. I’m pretty sure I’m also my boyfriend’s favorite kind of liberal. I pound the tent stakes of our nation’s fall from grace: of a once-compassionate government which no longer guards the interests of its most vulnerable, which thumbs its nose at the rest of the world’s economic and social interests, which aggressively seeks to erode such basic personal freedoms as privacy and reproductive choice. My resolve typically begins to falter, though, when he points out that despite the fact that many Americans on both sides of the political fence share my views, my party has done nothing to effect change except make the aforementioned charges. Yes, Democrats are working hard to win back Congressional seats in these midterm elections on a vague platform of curing these ills, but the party was beset on all sides for over a decade before it started to retaliate with any force. “The war has been such an effective distraction,” I attempt to argue. “People don’t want to buck the leadership when faced with such a crisis.” I even sometimes add lamely, “Besides, these things take time.” (God forbid we end up at a red light behind a “Democrats Have Moral Values, Too” bumper sticker. The only thing that bothers me more than liberals without a plan is whining statements of the obvious.) Not so secretly, I am also disappointed in how far my party has strayed from its core values. But what is the solution? The events of the last five years have shown in stark relief just how little difference there is between elected officials. Even if given a free pass on the […]
Oct 1st, 2006 by Jon Anne Willow
Shoot from the hip
By Jon Anne Willow You may have heard of Cedar Block, Milwaukee’s premiere presenter of offbeat creative events with an emphasis on group participation. You may have heard of Saul Leiter, the New York street photographer who blazed the trail for the use of color in art photography in the mid 20th century. And you may have heard of lomography… or not. But even if none of these are familiar to your ear, you will surely have heard of the Milwaukee Art Museum (MAM) and of Milwaukee Street in Milwaukee. And whether you’ve heard of all these things or only the last two, you will soon see them brought together in what is perhaps one of the most interesting collaborations of local and national photography this year. In Living Color: The Photographs of Saul Leiter opened at the Art Museum on September 28. Unlike his ersatz contemporaries in Abstract Expressionism, Mark Rothko and Richard Pousette-Dart, Leiter’s work wasn’t embraced by the formal art community until recently. But like Fellini or Bergman among filmmakers, his influence has been felt among photographers for decades. And now Milwaukee will be first to acknowledge his contribution to the form with the first-ever major exhibit for the 82-year-old photographer. As early as the late 40s, Leiter worked primarily in color, shooting scenes of New York City that stunningly captured urban life in saturated frames and off-kilter focus. At that time, color photography was not only expensive to process, but viewed by many as a baser form of the medium. Leiter’s photos further insulted the “art world” by presenting technical “imperfections” rather as augmentation, an approach with which he was rewarded by resounding silence from curators around the world. To his vast credit, Leiter didn’t care: he continued to ply his trade his own way, presenting his work as slide shows with his photographs blown up to the scale of full-size paintings. The MAM exhibit will include a room devoted to a digital slide show in that vein, along with around 70 color prints, a selection of black and white photos and four of his watercolor/govache paintings. Enter Cedar Block, the brainchild of Brent Gohde, ostensibly a member of Milwaukee’s emerging DIY Art Movement. (Though the city has yet to be recognized nationally as a haven for such, we are confident it will, so we’ll just say it now). Gohde, like his peers, is firmly committed to the principle that there is a place for every artist who wants to work, even if their talents and opportunities don’t fall into traditionally accepted tracks. To that end, Cedar Block stages unusual events, from Weird Science Fairs to essay contests, and now an exhibit of lomography-inspired photographs by local artists in conjunction with the Leiter exhibit. “There’s never been a voice that shouldn’t be heard,” says Gohde. “These events provide a venue for the non-traditional artist to show their work, have it displayed in a world-class museum. My fondest hope is reaching further quarters of the Milwaukee community […]
Oct 1st, 2006 by Jon Anne Willow
