Classical
Give me that old-time avant-garde
The Unruly Music Festival opens with C2, a flute and cello duo, and a mixed bag that includes some old-time academic music.
Apr 16th, 2010 by Tom Strini
Legally Blonde the Musical
Elle Woods breezes into the Marcus Center bringing the Milwaukee audience what they crave -- frothy song and dance without too much substance.
Apr 14th, 2010 by Brian Jacobson
Alverno Presents Zemog/El Gallo Bueno
Jazz? Rock? Latin? Abraham Gomez-Delgado's septet is a little of all of that, and a lot of fun.
Apr 12th, 2010 by Peggy Sue Dunigan
Blonde Ambition
An interview with actor Barry Anderson, one of the men in pink.
Apr 12th, 2010 by Barbara Castonguay
Philomusica’s Jewish Expressions
The skilled quartet offers up innovative programming and strong performances at the Wisconsin Conservatory of Music.
Apr 11th, 2010 by Barbara Castonguay
MSO Pops Movie Music
Guest Pops conductor Jack Everly focuses on big scores for big films in a well-prepared, well-performed concert.
Apr 10th, 2010 by Tom Strini
Hooray for Hollywood
The people and the story behind Hooray for Hollywood, the national anthem of the movie business.
Apr 8th, 2010 by Tom Strini
Ohlsson’s great Chopin at the MSO
De Waart makes sense of Elgar's sprawling Symphony No. 1 and has fun with a rarely heard Berlioz overture.
Apr 2nd, 2010 by Tom Strini
MSO extends de Waart’s contract five years
Runaway artistic and box office success leads to long-term agreement with music director Edo de Wart.
Apr 2nd, 2010 by Tom Strini
Brush Up Your Berlioz
The MSO will play the Overture to Beatrice and Benedict, Berlioz's opera after Shakespeare's Much Ado About Nothing. Shakespeare loomed large in the composer's life.
Mar 31st, 2010 by Tom Strini
Frankly Music and the Lipinski Stradivarius
Frank Almond brings out the best in a great violin.
Mar 30th, 2010 by Tom Strini
More Amazement from Present Music
Kevin Stalheim's group plays Schoenberg, John Adams, Raymond Scott's crazy stuff from mid-century and Mason Bates' electronica crossover.
Mar 28th, 2010 by Tom Strini
