Quinn Scharber and the …

In one of his SubVersions columns several months back, our boy Matt Wild declared the basic guitar/bass/drums lineup of Quinn Scharber and the Electric Youth a refreshing novelty, or some similar turn of phrase — the implication being that bands in the Beer City have become so obsessed with attaching extra bells and whistles to their music (like, for instance, actual bells and whistles) that the simple effectiveness of a well-crafted guitar-pop song is overlooked. Maybe that’s the rationale behind titling their debut disc Being Nice Won’t Save Milwaukee; in a city where every new band is determined to throw their housemates’ thrift-store toy pianos on stage, playing a no-frills guitar riff is an act of defiance. If there’s rebellion in these songs, it’s not the type that comes screaming. Scharber is a graduate of the Pollard and late-Replacements-era Westerberg Academy, more “Can’t Hardly Wait” than “Fuck School.” In fact, the opening “Latest Flame” wouldn’t have sounded out of place on Pleased to Meet Me, as blasphemous as hardcore ‘Matheads may consider that. It’s all boxed wine and “Don’t you wanna be my latest flame/don’t you wanna make a big mistake,” delivered in Scharber’s conspiratorial half-whisper. It’s quite a feat to sing a refrain like “Keep it Legal” and sound like you’re getting away with something, yet there it is. Quinn Scharber and the Wrath of Khan (they change their name every show, so why let them have all the fun?) are doing little more than playing extremely well-crafted pop songs cobbled together by a dude, his guitar and a few of his drinking buddies backing him up. In a town overrun with banjos and glockenspiels, maybe an Epiphone will save the day after all.