2007-11 Vital Source Mag – November 2007
November 2007
November 6th Angels & Airwaves I-Empire Geffen Chris Brown Exclusive Jive Jimmy Buffett Live in Anguilla Mailboat Cassidy B.A.R.S. Full Surface/J Counting Crows Saturday Nights, Sunday Mornings Geffen Kevin Elliot and The Broken Damage of This Day Broke City Rob GEE Rob GEE Rock Ridge Music Jay-Z American Gangster Def Jam Kanekoa Under the Coconut Sky Major Hana/Fontana/ Universal Keak D Sneak Deified Broke City Little Big Town A Place to Land Equity Music Group Monster Magnet 4 Way Diablo SPV Nonpoint Vengeance Bieler Bros. Nicole Scherzinger Her Name is Nicole… Interscope Rick Springfield Christmas With You Gomer November 13th Boys II Men Motown: A Journey Through Hitsville USA Decca Dane Cook Rough Around the Edges: Live From Madison Square Garden Comedy Central Dillinger Escape Plan Ire Works U.K. – Relapse Céline Dion Taking Chances Epic Duran Duran Red Carpet Massacre Epic Aretha Franklin Jewels in the Crown: All-Star Duets with the Queen Arista The Hives The Black and White Album Octone/Interscope Ja Rule The Mirror The Inc. Alicia Keys As I Am J LCD Soundsystem 45:33 DFA Nelly Brass Knuckles Derrty/Universal Pitbull The Boatlift TVT Seal System Warner Shaggy Intoxication Big Yard/VP James Taylor One Man Band Hear Music Wu-Tang Clan The 8 Diagrams Loud/SRC/Universal Trisha Yearwood Heaven, Heartache and the Power of Love Big Machine November 20th Foxy Brown Brooklyn’s Don Diva Black Rose Entertainment/Koch Daft Punk Daft Punk Alive 2007 Virgin November 27th Mary J. Blige Growing Pains Matriarch/Geffen Kylie Minogue X International-EMI
Nov 1st, 2007 by Vital Archives
Bruce Springsteen
Bruce Springsteen’s career has been truly beyond reproach. Even those who aren’t fans have to acquiesce to the fact that he’s the definition of integrity in a business that thrives on the opposite. And while his popularity may have waned in the nineties, he still created provocative music that meant something both to him and to his audience. This is evidenced by recent releases from a number of young artists mining his sound and his aesthetic. Ah, but they could never be the real thing. And here in his 24th year of recording, Bruce produces yet another finely-crafted testament to his “Boss” title. Magic contains the most direct and immediate collection of rock music Bruce has put out since Born in the U.S.A. in 1984. The saxophone, the piano and the rest of the E Street Band are back in full regalia on songs like “Livin’ In The Future” and “I’ll Work For Your Love.” The driving rhythms, melodies and narratives are also back, particularly on “Last to Die.” But Bruce doesn’t stop there: on the title track he displays the entire spectrum of his talents as a creator. “Girls In Their Summer Clothes” is as innocent as it is wistful. And though it may turn some people off, there are also a number of songs that touch upon his acoustic, rootsy leanings, sparse and epic. Bruce makes albums that are the equivalent of audio novels. They tell stories, weave descriptions, paint landscapes and define characters. But he also always gives us a little prize wrapped in the theme of it all: the emotional resource that compels us to be the authors of our own existence. “Love (and attitude) is a power greater (and stronger) than death” he sings in his tribute to a deceased friend on the hidden track 12, “Terry’s Song.” Yep, that’s the magic.
Nov 1st, 2007 by Troy Butero
