2007-11 Vital Source Mag – November 2007
John Riepenhoff 5 Q
It’s not easy being green, which is why John Riepenhoff, owner and curator of the Green Gallery, established the third-floor Riverwest venue expressly for fresh, emerging artists in 2004. An art school graduate and painter himself, the now-25-year-old could relate. Riepenhoff is interested in social interaction between artists of all media. The space currently hosts a monthly Movie & Masala night for neighborhood filmmakers and sponsors a culturally conscious residency program to align local and global artists, launched by the Institute of Quotidian Arts and Letters this past spring. Between a hectic show opening and a weeklong trip to London’s Frieze Art Fair, John squeezed in our five questions. Keep up with him at thegreengallery.tk. What paved your way from art student to gallery owner/curator? Even as a student, I would question for what and for whom art was made, so exploring the gateway from the artist’s hands to the public arena was a natural progression. Running a low-maintenance space — using a model similar to DIY rock house venues — eased my start, and the playfulness of the artists I exhibited directly elevated the gallery. The more artists and gallerists I met locally and nationally, the more I realized the significance of the Milwaukee art community; that still motivates me to continue the Green Gallery project, and to experiment with methods of showcasing art and encouraging local artists. How do your personal tastes and values guide the Green Gallery cut? The artists who show are ones that surprise me; they are making art that says “things are exciting right now” in a new way, or they are creating interesting situations that don’t yet have a venue but should. They are commenting on the conditions of art and popular culture in a way similar to a writer by critiquing aspects of experience and history, and by offering some alternatives. I like these traits in people, too. I like the meta. What are the highs and lows of your role? I get to meet so many creative and amazing individuals, and get to be a part of their lives. Some of my all-time favorite artists are real people that I helped reach a broader audience! Supporting and empowering artists by stimulating discussion and exposing their ideas to receptive audiences is a real high. Building, sanding, painting, cleaning and fixing the space are all of the lows that make the highs feel better-deserved. What makes Milwaukee a good home for art? In Milwaukee, people can find time for their own projects without having to pay inflated rent that many of the (other) art centers around the country indoctrinate. The art community here is small enough that one can find help for his or her projects in friends and acquaintances, as well as find other projects that might be a perfect showcase of her or his talent. I like to think that we Milwaukeeans can commit to our own personal voices without being distracted by the pettiness of mainstream […]
Nov 1st, 2007 by Amber Herzog
We’ve got to help Alan Keyes
Typically I don’t read every political email I receive anymore than I pore over my spam, but sometimes a subject line catches my attention. Recently, Alan Keyes was excluded from a Fox News-sponsored Florida GOP debate on the premise that he didn’t have the required 1% straw poll vote, even though the Iowa Poll allegedly had him at 2% just a week after he entered the race. Turns out, none of the polls used by the Florida GOP included Keyes’ name. Granted, they may have been taken before he declared his candidacy, but he’s in the race now and everybody knows it, even if his only true role ends up being to keep arch-conservative Christian issues in the debate. Keyes’ people sounded off, launching an email campaign to barrage Florida GOP chair Jim Greer with complaints. This morning I received another email from the Keyes campaign. He was recently excluded from the Family Research Council’s Values Voter Summit, reportedly because he entered the race too late to be included. His staff, however, cites that attendee Fred Thompson entered the race barely a week before Keyes. Most top tier candidates were there – unlike the Values Voter Debate held in September, where Keyes came in just behind Ron Paul and Mike Huckabee in a field absent Giuliani, Thompson and McCain. Keyes’ camp acknowledges that political event organizers have the right to invite (or not) anyone they choose, but that groups like the FRC are lying when they claim to invite ALL candidates. In the run-up, Keyes, clearly a candidate, didn’t get his invitation in the mail and when his camp called to see if it was lost, they were told that he simply wasn’t asked to participate. It seems a little sad to picture them all sitting around the office waiting for the mail and then calling the FRC, only to learn that they weren’t invited. I imagine their initial incredulity, followed by quickly rising ire and a subsequent email blast bitch-slapping the FRC, perhaps fired off in anger in the middle of the night. At the end of the day, I don’t really care about Alan Keyes’ candidacy. And it amuses me that I know so much about his campaign through official emails that dish dirt in that whiny, sanctimonious tone to which my ears have been deaf since I was a teenager tuning out my mom over dirty clothes on the floor. My first response is to tease Keyes for his picked-on demeanor and holier-than-all posturing, but in fact his situation reveals chilling political truths. Prior to the advent of email as the political machine’s communication tool of choice, citizens had to rely on the media to report stories of exclusion, favoritism and other abuses of power in a reportedly inclusive system. In Keyes’ case, there’s little chance his story would have gotten much play – he’s the quintessential fringe candidate. But by his ability to communicate with me directly, I am informed firsthand of ways in which his […]
Nov 1st, 2007 by Jon Anne Willow
