2007-04 Vital Source Mag – April 2007
String of Pearls
Michele Lowe’s String of Pearls follows the title object through 30-years, as it passes from owner to owner to owner. Slowly, the necklace makes its long journey full circle as it leaves its mark on the lives of a large number of characters. Featuring some impressive talent in a small space, Renaissance Theaterworks’ production of the play is an enjoyable collection of dramatic moments. For the most part this is a string of disjointed moments held together by a single prop. The prop itself isn’t always extremely prominent in each of the stories that the play consists of, so it ends up feeling like more of a symbolic gimmick than a character that mixes with the rest of the play. The action onstage is largely spoken directly to the audience, making String of Pearls feel like a collection of monologues that aspires to be a single, cohesive play. It may not quite make it, but there are so many genuinely touching moments here that it hardly seems worth the effort to string them together at all. Renaissance has put together a cast for its production that not only captures attentions and imagination throughout the play’s many stories, it also manages to keep things flowing gracefully enough that each story seems to naturally flow from the one before it. And though we are, for the most part, watching a string of monologues, the actresses here have a strong enough chemistry as a whole to make it feel like they are all interacting with each other in a single story. Each actress holds several roles over the course of the play. None are so pleasantly wide-ranging as those performed by long-time Milwaukee stage actress Mary MacDonald Kerr. The butch, overweight lesbian gravedigger she plays at the end of the show may not fit her physically, but she plays it sympathetically with more than enough heart to make her performance truly engaging. Earlier on, she plays a comically annoying mother of an adult daughter, the comically hip mother of a much younger daughter and more. Kerr stands out in a script that hands many of the fun roles to her with only a smattering of truly heavy drama. While Tracy Michelle Arnold plays a number of roles herself, nowhere is she more memorable than in the role of an Irish funeral home employee who is looking after her aging mother. Arnold plays both high comedy and endearing drama from the subtle, Irish intonations of a woman whom seems to have spent a great deal of time pummeling. She’s brilliantly reserved in the role. So much comes out of so little in her performance here. Making her Renaissance debut in this production, it’s nice to see the American Players Theatre actress on a much smaller local Milwaukee stage. Tammy Workentin and Laura Birmingham round out the cast. Birmingham renders some really powerful moments as a woman looking back over her life at the beginning of the play and perhaps looking forward to new life […]
Apr 1st, 2007 by Russ Bickerstaff
Six things you should know about VITAL
Dear readers, Anyone who’s ever worked in the business of communication knows this to be true: Professional communicators are some of the most ineffective personal communicators. Anyone who’s ever owned a small business knows this to be true as well: By the time you do everything you have to do to get your “product” out there, it’s often the part about explaining what you’ve got that gets neglected. Here at VITAL, we sometimes forget to tell people about the cool things we’ve been working on, so absorbed are we in creating it. So this month I want to take a few minutes to tell you about some things of which you might not be aware, but might enjoy if you knew about them. 1. VITAL is much bigger than it looks. We have a pretty great new website and we publish new content almost every day. There are blogs by myself (Up All Night), Lucky Tomaszek (Oh, Mama!), Russ Bickerstaff (Between Stages), Matt Wild (Please Send Help), Mehrdad (The Prescient Persian) and a biting and often hilarious conservative-leaning perspective from acidic local comic Michael Gull (Messiah Simplex). We publish online-exclusive show, film, music and concert reviews all month, plus articles and interviews – including a recent chat with the Decemberists – and a much more comprehensive events calendar. You can comment on stories, download content via RSS or check out our numerous image galleries. You can print, send to a friend or contact anyone on our staff. Visit us soon at vitalsourcemag.com. 2. VITAL is very popular in the UK. We have a Myspace page, and in the last six months hundreds of people, publications, bands and (for whatever reason) modeling agencies from the UK have not only “friended” us, but have been very active on our page. Tracking our website traffic, we see that a surprising number of our online viewers hail from there as well. They send us letters and leave us comments. They think we’re ahead of our time, for whatever that’s worth. Check out our page at myspace.com/vitalsource. 3. VITAL loves you back. In February we launched VITAL’s eNews You Can Use. It goes out twice a month and keeps you up to date on everything new we’ve published to the website as well as upcoming VITAL events. And, to show our love, we give away stuff to our subscribers in every edition, from concert tickets to sexy VITAL t-shirts and sometimes even bigger gifts. All you have to do is write us back and tell us what you’re interested in – no catches. You can subscribe from our home page at vitalsourcemag.com and unsubscribe any time. Naturally, we’ll never spam you or sell your name. We also offer amazingly cost-effective advertising for local businesses, so you can be better communicators than us. Contact me personally to learn more about our “Love to the Independents” program. 4. VITAL is everywhere. Some people still think that because our offices are in Riverwest and we’re active in our […]
Apr 1st, 2007 by Jon Anne Willow
Downhill, you’ll go mach speed
By the time you read this, I’ll already be dead. No, no! Really, I’m fine. Really! I’ve just always wanted to open with something like that, and now seemed as good a time as any. I suppose I could chalk it up to some kind of April Fools’ gag, but to be honest, it could be the middle of October and I still would have run with it. Anyway, this month’s column is a somewhat random mish-mash of the painful disillusionment of growing old and the utter futility of getting up in the morning. There’s a small glimmer of hope near the end, however, when the author’s faith in mankind is briefly restored after getting drunk at 11a.m. and helping an old lady to a bus stop. Also, a supporting character will relate a delightful story of how she nearly shaved off her right nipple while taking a shower. Wake the kids, mom; this one’s a doozy. My typical day, in a nutshell: wake up at 10 a.m. and eat a bologna sandwich; watch two episodes of The Cosby Show (skipping past the ones involving either the Huxtable grandparents or choreographed dance numbers); catch a few minutes of Springer (skipping past the ones where Steve the bodyguard assumes hosting duties); go to work; come home at 9 p.m. and eat another bologna sandwich; weep uncontrollably for 20-25 minutes; go to bed and dream of boogie boarding. On the weekends I walk through my soon-to-be defiled Downer Avenue neighborhood, mentally composing letters in my head to the land-developing outfit that has recently made it their mission to suck all remaining character out of the area: Dear Party People, Hi, you don’t know me, but I’ve lived on Milwaukee’s Fashionable East Side? for nearly 11 (!) years. I’m a gainfully-employed college graduate with a strong hairline and a modest criminal record. Lately, you’ve been going ahead with plans to erect an eleven-story dorm tower and a 40,000-level parking garage in my charming little neck of the woods. You’ve snatched up most of the nearby commercial space as well, raising leases and driving away even the most established of chains, all of which – as none of the kids say – is really harshing my mellow. Now, I know that behind your misleading, Patriot Act-esque corporate name, there must be an actual group of human beings, though I prefer to imagine you as a ravenous pack of cave-dwelling, baby-eating mutants, swallowing up everything that’s good and decent about my neighborhood (the houses and restaurants, not the babies). Assuming for a moment that you’re not really a loosely-knit band of Morlocks, let me say this: I know that change is inevitable and all that jazz, but seriously, can’t you show a little compassion? To belabor the baby thing a bit more, if the day ever passes that you require every resident to sacrifice their first-born child in order to continue living in this neighborhood (and I wouldn’t put it past you), I would have […]
Apr 1st, 2007 by Matt Wild
Cheryl Pawelski
Photo by Audrey Bilger Some people make mix tapes for fun, but Milwaukee native Cheryl Pawelski can list that on her resume. As far as music fans go, Pawelski’s 17 years beat most people’s lifetime of participation. As a young music maven she worked at the old downtown Radio Doctors learning record distribution. She moved to California and in 1990 began a 12-year run at Capitol Records, and in 2005 moved over to Concord Records to run their catalog development. In January of this year she began what many consider a dream job, heading up A&R at Rhino Records. Though music is what pays her bills, she remains a devoted fan. In her words, the whole trip “…only took 17 years. I’d do it all again, too – it’s been a ball.” 1. What is your dream project? Well, I’ve been fortunate enough to work on a couple dream projects. In fact, at this point, I’d have to say I’m working on my dream project in that I’m heading up A&R at Rhino and the catalogs under the Rhino umbrella are some of my favorites. That having been said, I would indeed drop everything to go and work as Bruce Springsteen’s archivist and special project producer. 2. Is there any Milwaukee-related artist or project you’d like to work on? Yes. For years I’ve wanted to cut out enough time to put together a double CD release I’d like to call The Real Happy Days. It’s not a single artist anthology but a Wisconsin-based one. I’ve long been a fan of the single and by that I mean the 45 rpm or 7” vinyl slab. I started collecting records on local labels from the ‘50s and ‘60s a long time ago – Cuca and Raymond among others. I would like to pull together a nice collection of those but just haven’t had the time. 3. What project so far do you think reflects your own personality? The Band box set, A Musical Journey, certainly reflects my detail-oriented, “everything must be right” kind of work ethic. The rockabilly box, Rockin’ Bones, is four discs of really fun and sometimes surprisingly absurd early rock & roll and there’s an earlier compilation I did at Capitol called Rebels & Outlaws, which is basically filled with all kinds of songs about carryin’ on and makin’ a racket, so those all collectively add up to something. I guess sometimes projects can be an extension of a personality but only a small fraction, and at that, the fraction may be based in fantasy or wishful thinking. 4. What do you like best about California? I like everything in California between about Big Sur and Point Reyes (just north of San Francisco). LA for me has been something that I put up with as a trade for getting to do what I do. The best parts of LA seem to be hidden and certainly not advertised – so uncovering the history of LA is a lot of fun. […]
Apr 1st, 2007 by Blaine Schultz
Low
Two years ago, The Great Destroyer marked a period of incredible transition for Low. Not only did the album itself bristle with challenges to the band’s established method of slow and steady and hauntingly beautiful, but the period shortly after its release also saw bassist Zak Sally leave the band and founding member Alan Sparhawk check into the hospital for mental health treatment. Clearly, there were shakeups, and Drums and Guns refracts the altered configuration of thoughts and people. Producer Dave Fridmann returns to work the subtle transformations that informed his efforts on The Great Destroyer (and with bands like The Flaming Lips and Mercury Rev) ; new bassist and vocalist Matt Livingston fills no one’s shoes but his own and the album feels constantly unsettled. Even now, with listeners braced for new directions, Low’s music surprises. The opening track, “Pretty People,” crackles in with static and feedback as it raises a golem of Eastern-flavored psychedelic meditation. “Always Fade” sets an electronic whirl in the background of a jazz-funk bass line and a thunderous cardboard-like snare snap. And “Take Your Time” drops chiming bells over a deliberately skipping loop of church-like vocal cadences and a tinny drum-machine rhythm. Even in relatively familiar territory – the vocal harmonizing between Sparhawk and wife/drummer Mimi Parker is as tenderly hushed as ever on “Belarus” – Low orient themselves to see and hear things differently. Drums and Guns mesmerizes listeners to do the same. VS
Apr 1st, 2007 by Jon Gilbertson
The Fall
The mid- to late ‘70s was a time of musical change. If the ’60s “free love” culture, though hopeful, was not enough to transform mass awareness, then the “fuck you” attitude of punk and post-punk was the necessary conduit for change. Though The Ramones and The Sex Pistols captured the spotlight, no other band was quite as prolific and influential as The Fall. Throughout their history, which spans 30+ years, 50-some lineups and over 20 records, The Fall remain true to their roots. The Fall approach each release with a freshness orchestrated by stoic frontman Mark E. Smith and Post-TLC Reformation!, is no exception. The first track, “Over, Over,” begins with a menacing laugh and segues into, “I think it’s over now/I think it’s ending/I think it’s over now/I think it’s beginning.” Accompanied by a droned-out bass, a simple guitar progression and ambient sounds, “Over, Over” is an homage to cycles. This album is raw and some tracks sound improvised. “Insult Song” is a narrative, almost abrasive recounting of past show experiences interlaced with dark imagery and a satirical, intermittent chuckle from Smith. The beat is steady and syncopated, with a slap bass progression and melodic guitar solos. The overall effect complements the development of the story it tells. Post-TLC Reformation! is dark, but not depressing. The vocal style is consistently dreary, but the upbeat bass and uncompromising guitar riffs create a harmonizing juxtaposition that never lets the listener get too far down to get back up again. It’s groovy. VS
Apr 1st, 2007 by Blaine Schultz
Kawoomph!
Photos by Kevin C. Groen Mason Street Grill 425 East Mason Street 414-298-3131 www.masonstreetgrill.com Kawoomph” is the term Mark Weber coined to describe the explosive sound brandy makes as it hits a searing pan of steak au poivre. Mason Street Grill adopted it as the name for its logo: a steer with a chicken hat and flying fish grazing its shoulders representing the breadth of its offerings. Under Weber’s stewardship as Managing Director, the Pfister Hotel’s new flagship restaurant is now at street level and accessible to diverse customers. If you’re with friends, settle into the comfortable leather chairs and banquettes for a memorable feast. Solo diners can pony up to the kitchen counter where they’ll find company watching all the action through the pass. Dinner fare ranges from an exquisite herb-crusted New York Strip steak at $48.50 to a grilled hot dog bun crammed with lobster salad for just $16.50. Steaks come with salad and a side (like the inspired fresh creamed spinach scented with nutmeg) and sandwiches include fries or gingered cabbage slaw. The crispy cracker-crusted pizzas (all under $10) topped with tomatoes and fresh herbs taste like summer. The vanilla-flecked cheesecake is light as mousse. And with a Kenwood Yulumpa Brut for $6.50 a glass, even I, a pauper writer, can afford it. Those who have followed Weber’s luminous career from Arby’s (!) to the Riversite to his own restaurant, WaterMark, would not be surprised by his current appointment, for his cookery is inspired in any setting. He’s received great critical acclaim, but none greater than that of French Novelle Cuisine innovator Paul Bocuse. Among classically trained culinarians, Bocuse (not Emeril or any other TV celebrities) reigns as pope. Thus, it was like Da Vinci honoring a protégé when Bocuse himself complimented a meal Weber had prepared for him at Lake Park Bistro as the closest to his own cuisine that he had ever tasted. He was bred for the food and beverage industry. The chef’s ancestors were brewers in Germany who brought their trade to the U.S. His great grandfather worked for Pabst and his great uncle Clem, as a Miller Brewing VP, brought Lite beer and Lowenbrau to the brand. With thumb and forefinger a couple inches apart, Weber says, “We had our own kiddy mugs this big as long as I can remember.” Weber grew up in Rochester, New York, where his father was a VP for French’s Mustard. The position involved a lot of entertaining that opened portals of extensive gustatory experimentation for his son. Weekends and vacations were spent at the family vineyard in nearby Canandaigua where there was work for all seasons. Three years into an engineering degree at Monmouth College, Weber was bored stiff and left. By then, his parents had moved to Mequon and after a few weeks on their couch Weber ventured out to find employment. He put in a desultory application at the Midway Motor Lodge’s fine dining restaurant, Café Manhattan, hoping they wouldn’t call. “I had […]
Apr 1st, 2007 by Cate Miller
The Decemberists’ Chris Funk
Anyone with even a minute awareness of The Decemberists would find it challenging to resist asking guitarist Chris Funk all kinds of ridiculousness, like the random “What’s your favorite Western?” or the general “Why are you guys so fun?” But, it takes only one spin of anything in their catalogue to understand – Guitarmageddon, stage antics and official drink aside – that they are indeed serious musicians. With Guitarmageddon, stage antics and official drink considered, however, perhaps “serious about music” would be a better phrase. Multi-instrumentalist Funk, who personally handled acoustic guitar, banjo, bouzouki, dulcimer, electric guitar, hurdy-gurdy, pedal steel and percussion on 2006’s The Crane Wife alone, is fresh off a European tour and at home in Oregon, a state whose spectacle and character lured him from the Midwest over a decade ago. “I felt like I had done all I could do,” says the Indiana native. “I wanted to move out to Oregon to play music, for some reason.” Portland may now be the hub for a list of acts just as extensive as Funk’s performance credits, but, he adds, “at the time it wasn’t known as a musical city, and not a music-industry city by any stretch of the imagination.” Intuition paid off for Funk, who has toured with The Decemberists for around six years, a substantial tenure. During that short span, they have cultivated an active community of fans and released four LPs and five EPs (including two online exclusives) to critical kudos. As impressive as that sounds, to Funk, it only means that he, vocalist Colin Meloy, keyboardist Jenny Conlee, bassist Nate Query and drummer John Moen simply “happen to find ourselves in a rock band that people marginally care about.” The understating Funk knows that “blowing people’s minds is really difficult to do these days” and that not many since Jimi Hendrix have accomplished anything of the sort. “I’m not saying our band is doing it; I don’t think our band is,” he says. Yet sitting somewhere between Hendrix and today’s Top 40 are The Decemberists. So what are they doing exactly? “We’re a pop band and that’s about it.” It’s clear that Funk is realistic, even while contributing to a group especially keen on narrative, mythology and folklore. That being said, The Decemberists aren’t your trendy, textbook cool, or even a particularly marketable band, which is why signing Capitol Records to push their new release last year, instead of their alma mater Kill Rock Stars, was a potentially risky move. Thankfully, outside of the inevitably larger venues and increased ticket prices, corporate pitfalls have been innocuous thus far to the quintet, who places “serving music” above all else. “The responsibility is initially with yourself,” Funk explains. Integrity will prevent the release of anything they’re “not into” in the future, regardless of what label is driving their deadlines. “When we make a record, we feel an unspoken responsibility to make ourselves happy and entertain ourselves.” The Decemberists are celebrated for their over-the-top theatrics and […]
Apr 1st, 2007 by Amber Herzog
April 2007
April 3rd The Academy Is… Santi Fueled By Ramen Boys Like Girls Boys Like Girls Red Ink/Columbia Brandi Carlile The Story Columbia Chevelle Vena Sera Epic Jarvis Cocker Jarvis Rough Trade/World’s Fair Fountains of Wayne Traffic and Weather Virgin Kings of Leon Because of the Times RCA Los Straitjackets Rock en Espanol, Vo. 1 Yep Roc Maxïmo Park Our Earthly Pleasures Warp Andy Partridge Monstrance Ape House/Ryko Static-X Cannibal Reprise Timbaland Timbaland Presents Shock Value Paul Wall Get Money – Stay True Atlantic The Waterboys Boy of Lightning U.K. – Universal April 10th Army of Me Citizen Doghouse Blonde Redhead 23 4AD Bright Eyes Cassadaga Saddle Creek Coco Rosie The Adventures of Ghosthorse and Stillborn Touch & Go From Autumn to Ashes Holding a Wolf By the Ears Vagrant Grinderman Grinderman Anti-/Epitaph Guster Satellite EP Reprise Nekromantrix Life is a Grave & I Dig It! Hellcat/Epitaph The Terrible Twos If You Ever See an Owl Poquito/Vagrant April 17th The Comas Spells Vagrant Avril Lavigne The Best Damn Thing RCA Page McConnell Page McConnell Legacy Nine Inch Nails Year Zero Nothing/Interscope The Old Soul The Old Soul Friendly Fire Priestbird In Your Time Kemado April 24th Arctic Monkeys Favourite Worst Nightmare Domino Bill Callahan Woke on a Whaleheart Drag City/Caroline Cowboy Junkies At the End of Paths Taken Zoe/Rounder The Electric Soft Parade No Need to be Downhearted Better Looking Gus Gus Forever Groove Atack Kalli While the City Sleeps One Little Indian Mando Diao Ode to Ochrasy Mute Midnight Movies Lion the Girl New Line Patti Smith Twelve Columbia The Veils Nux Vomica Rough Trade/World’s Fair
Apr 1st, 2007 by Erin Wolf
The 2007 WMSE Rockabilly Chili Contest packed quite the punch
As predicted, the 2007 WMSE Rockabilly Chili Contest lived up to its rollicking title on the opening day of April. Despite some inclement weather, the event overflowed the hall and showcased some remarkable 38 chili recipes from area restaurants and cooks. This reporter could only make it through 13 lucky bowls before my stomach wanted to crawl under the cool of the front porch to die. Many great exotic and innovative elements were sampled, along with a few misses and two comforting bowls of Wisconsin-style chili (minus noodles). For the first time in the event’s five-year history, the “People’s Choice” award for meat chili ended in a tie between Wicked Hop and Meat and Metal! from 964 votes. Each chili recipe was a dark and thick brown affair, with a medium kick and a smoldering finish. The winner in the veggie chili category was Stacy Stangarone of Annona Bistro, whose Sweet Potato and Black Bean chili was the buzz on the crowd’s lips. Despite the popular theory that a recipe closely following the middle of the road with the crowd’s tastes would win, in this category the unique idea appealed best. Stangarone’s recipe still tastes very much like a regular chili, but is lifted up to a higher level with certain key ingredients. Crawdaddy’s alligator sirloin based chili was a stewed affair with a light taste. Alligator, by the way, tastes a lot like turkey. Rush-Mor/Palomino probably had the most elaborate affair with their green chili. After plating, the dish was topped with cornbread crumbs and a small lime that was then eyedropped with everclear and set aflame. Mehrdad Dalamie, of VITAL Source and Bremen Café fame, racked up 22 ingredients in his spicy yet thorough concoction, while Solly’s Grille came through with a gorgeous piece of road food good enough for Route 66. One of the most consistent vendors was again Mary Krimmer from Soup’s On! who put out both meat and veggie versions of tremendous character and verve. Koppa’s and Fuel Cafe were some of the first to run out. Sarah Kordus stood under the daunting banner of the reigning champions’ corner, and luckily her batch was as good if not better than last year. Another buzz had gone through the room about Fuel’s veggie batch, which bravely used relatively unknown wheat gluten known as seitan. Often used as an alternative to tofu, it gave the taster the distinct feeling they had just eaten meat-based chili. Finally, one of my favorites was from the Riverwalk Bistro. Billed as “Chorizo and shortrib chili,” it was similar to the two meat winners but provided a little more texture and smokiness than the others I sampled. The event appeared to perfectly serve the exposure satisfaction for WMSE and the vendors. Cold Pabst beer in cans was a favorite spice quaffer, steel guitar music ruled the airwaves and rumors were confirmed that WMSE is securing an even bigger venue for next year’s event. Keep watching http://www.wmse.org/ for final complete tally results, and […]
Apr 1st, 2007 by Brian Jacobson
