Arts & Culture
Life’s remedy
By Charise Dawson One Milwaukeean has no trouble likening medicine to art. Dr. Curt Kommer, a Milwaukee artist and physician, will exhibit his artwork in his first gallery show at Lakeshore Gallery. The exhibit, Travelogues, a collection of oil and acrylic paintings, runs May 2 through May 31. According to Kommer, being an artist is like being a doctor: both roles require discipline and detail. “When I sit down, I can bring a lot of focus in it. A lot of the qualities of a doctor require the same focus and detail that artists need.” During his work as a family physician, Kommer made house calls to former UWM Professor of Art Joseph Friebert. The two discussed art and the late Friebert asked Kommer to show him his paintings. His encouragement inspired Kommer to continue showing other people his artwork. “He passed away about two years ago. I know he’d be so proud of me,” Kommer said. For the internationally known artist, painting was Friebert’s lifetime work. According to Kommer, he was still painting at 89 years old and reworking pieces he had done 30 years ago. “I used to be so sensitive about revising my work. You don’t want a physician who isn’t a perfectionist. You want him to get it exactly right the first time. But in art, you can start over. Friebert showed me that art is a living thing. It evolves. As it develops, we may change our minds,” said Kommer. Kommer, a Chicago native, had never left the city until he was 18. As a Chinese interpreter in the military, he took watercolor classes in Asia to relax. Ten years ago, his wife bought him a set of oil paints. He now uses oils and acrylics to create textures in his paintings. He received his M.D. from the University of California at Davis. Kommer has been with Columbia St. Mary’s since 1985. He is semi-retired from his family practice and works half-time in urgent care. Since his semi-retirement, Kommer wanted to see if any gallery would consider showing his paintings. Roger Tsang at Lakeshore Gallery was the first person he approached, and though Tsang really liked Kommer’s work, Cranston in the Third Ward was the first to show his art. Kommer and Tsang kept in touch, and about a year ago, the gallery showed and sold some of Kommer’s artwork. He was delighted when Tsang offered to have an entire show of Kommer’s work at Lakeshore Gallery. Kommer, who paints in the back bedroom of his house, said that seeing his paintings on the wall of the gallery, professionally lit, was thrilling. The exhibition is the first time the artist has seen all of his paintings in one place. “I’ve got some butterflies,” Kommer admitted about his first opening night reception at Lakeshore Gallery, a chance for art-lovers to meet the artist. “I don’t know if they are expecting me to walk around with a pipe and talk about every detail of each painting,” he […]
May 6th, 2008 by Vital Archives
funny stuff in January at the Pabst
Although not a household stand-up name like Jerry Seinfeld or George Carlin, Jim Gaffigan is one of the funniest, strangest, most acerbic and affable comedians on the circuit today – which is probably why the Pabst Theater took a risk in booking him as the featured act on New Year’s Eve (the December 30 date was added when demand became high) instead of some hip young musicians like last year’s party with cult rock group Cake.
Dec 27th, 2007 by Brian Jacobson
Cinco Jugueteros de Venezuela @ Latino Arts Center
I hate sounding like Scrooge, but my memory bank is filled with nights-before-Christmas spent assembling toys for my kids. If you’ve ever tried finding a minuscule screw in inch-high shag carpeting, you know what I mean. There were endless batteries to test, a parade of dolls (Chatty Kathy, Baby Wets, Raggedy Ann) and, atop our aluminum tree, a revolving purple-and-blue light on the fritz. And where were Barbie’s pink shoes and Ken’s shirt? Would my 5-year-old like the green cowboy boots I bought in Mexico? I learned later that not one kid in his preppy pre-school wore cowboy boots, let alone green ones. What was I thinking? The turkey thawing in the kitchen seemed to be the only thing not giving me tizzies. On these nightmares before Christmas, I slugged down extra eggnog. Cinco Jugueteros de Venezuela (Handcrafted Venezuelan Toys) was scheduled to open Friday, December 7 (5pm-7pm) at the Latino Arts Center, 1028 S. 9th St. When I arrived for the gala opening, it had been rescheduled. The new date is Friday, January 4, 2008. The show will run through January, so you’ll be able to greet the New Year with a selection of toys crafted entirely by hand, with no assembly required and no lead-paint problems. As I write this, the shipment of toys is sitting somewhere in Memphis, held up due to changes in Venezuelan shipping regulations. “The toys don’t talk, they don’t walk. They run entirely by imagination,” said Zulay Oszkay, a member of the Milwaukee Arts Board and Artistic Director of Latino Arts, Inc. She added that she and her staff had painted the 300 sq. ft. auditorium room entirely white so as to better “show off” the toys. They tracked the Fed-Ex shipment for several days, right up to the last minute, but alas! No toys in time for the December 7 opening. The toys were to be accompanied by the artisans who made them, but they were unable to get visas for the visit. While writing this, I found a website blasting Venezuela’s President, Hugo Chavez. It seems he thinks Barbie and Ken represent “disgusting stupidity”; his holiday choices are items made in Venezuela. For boys, he suggests wooden rocking horses and/or “Ilaneros” (cowboys), and for girls … rag dolls. However, I doubt if politico Chavez was actually thinking about simpler times. Call him a dictator or a Democrat; he does seem a bit sexist when it comes to toys. Venezuela is in the throes of political turmoil, which contributed to the delayed shipment of toys. As Zulay and I sipped coffee and chatted in the auditorium, kids came in to participate in “toy-making” workshops and the United Community Center Youth Cuatro Ensemble arrived to perform. Images of the exquisite toys flashed by on a nearby television screen. Despite the cancellation of the opening, the mood was upbeat and the room sparkled with decorated trees. This is a wonderful facility and worth a visit anytime. Later in the evening, a friend and I […]
Dec 10th, 2007 by Judith Ann Moriarty
A Christmas Carol
Charles Dickens wrote A Christmas Carol at a time when there was a new focus on our growing human family and the plight of the poor. It was also a time when the urban Christmas tradition had started to lose meaning. Although a century or so has passed, A Christmas Carol still reminds us of the importance of charity and love for humanity that’s especially pertinent this time of year.
Dec 6th, 2007 by Vital Archives
A Cudahy Caroler Christmas
Bringing back that “old Cudahy Caroler magic” is Stasch Zielinski’s mission in A Cudahy Caroler Christmas, In Tandem Theatre’s co-presentation with the Marcus Center and a Milwaukee holiday favorite. Returning to Vogel Hall in the Marcus Center for the Performing Arts Thanksgiving weekend, this production features both new and returning cast members.
Dec 4th, 2007 by Peggy Sue Dunigan
Carrying A Knife In To The Gunfight
His real name is Edmund Makowski, but around town he’s known as poet Eddie Kilowatt. It suits him to a tee: his persona is electric indeed, and it shines through in his slender new book of poetry, Carrying A Knife In To The Gunfight.
Dec 1st, 2007 by Judith Ann Moriarty
Art vs. Craft
After seven rounds, nationally-recognized Art vs. Craft has become a Milwaukee institution – by way of minimally institutional principles. Also an anomaly: over 75 progressively-minded, “new wave” artists, crafters and designers will be vending their handmade and independent wares – just in time for the holiday feeding frenzy.
Dec 1st, 2007 by Amber Herzog
An American Portrait
Art and social commentary have always been kissing cousins. In a sense, all art is social commentary, as it reflects artists’ views of the world they inhabit. Whether that reflection is viewed in a straight mirror or distorted like a fun-house mirror is the choice of the artist. In Running the Numbers: An American Portrait, Chris Jordan set out to “look at contemporary American culture through the austere lens of statistics.” Each large image represents a specific statistic in visual format: one depicts fifteen million sheets of office paper, representing five minutes of paper usage in America. The stacks of paper tower and wobble like something out of Dr. Seuss’ nightmares. The artist’s hope is that the visual impact of “seeing” these statistics will make the way we live and the vast, ever-increasing complexity of American society accessible to individuals. His thought is that the enormous numbers in most statistics are incomprehensible. What, exactly, does 3.6 million SUV sales a year look like? Our brains can’t fathom it; the numbers are too large. But a picture created out of all the Denali nameplates sold in a year, arranged in pointillist fashion to recreate the peaceful mountain scene used in Denali commercials, has an impact. Looking at each individual name plate, you are struck by the enormity of that number in a way that simply reading it can’t accomplish. The piece is titled “Denali Denial,” in an extension of that social commentary. If everyone drove such a vehicle, there would be no more peaceful mountain scenes of crisp air and fresh water. My favorite piece of the exhibition is called “Painkillers.” In it, 213,000 Vicodin pills swirl around a center point, a maelstrom of small, white ovoid shapes. It’s like they’re circling the drain, about to go the through the tubes and hit rock bottom. And at the same time, it’s like being high, unable to control what’s going on and letting it all just swirl around you, content to be passive. The number of pills in the composition is equal to the number of emergency room visits every year related to the abuse or misuse of prescription painkillers. Running the Numbers: An American Portrait opened at the UWM Union Art Gallery on November 15, 2007 and will run through December 14, 2007. The gallery’s hours and upcoming events can be found on its website, http://www.aux.uwm.edu/Union/events/gallery/.
Nov 28th, 2007 by Ryan Findley
White Christmas
Snow fell several times, including over the audience, during The Skylight’s seasonal production of Irving Berlin’s White Christmas Saturday night. The perennial favorite – which opened to a dusting of real snow in the city on Thanksgiving weekend – is filled with the Irving Berlin songs that made and continue to make memories during the holidays. This story surrounds two army veterans who become Broadway stars and rescue their old general’s failing Vermont ski inn. Along the way, the friends find romance with a pair of entertaining sisters and create a few surprises in this adapted musical setting. With well-known Milwaukee musical director Richard Carsey and choreographer Pam Kriger at helm, the classic 1954 film comes to life on the Cabot Stage. The score provides plenty of song and dance numbers the audience will enthusiastically enjoy, including less-remembered melodies like “I Love a Piano” and “Falling Out of Love Can Be Fun.” While reenacting the legendary performances of Bing Crosby, Danny Kaye, and Rosemary Clooney might be intimidating, the lead performers carry these roles with a chemistry that builds throughout the first scenes. Norman Moses as Bill Wallace and Branch Woodman as Phil Davis are at ease with these iconic characters, and the delightful dancing of Rebekah Jacobs as Judy Haynes along with the outstanding voice of Melinda Pfundstein as Betty Haynes gives enduring charm to such ever-familiar numbers as “Sisters, Sisters.” This multi-talented team is surrounded by a handsome, capable cast (with innovative performances by Brianna Zawada as the young granddaughter Susan and Rhonda Rae Busch as concierge Martha Watson) and supported with live orchestrations and sparkling 50’s costumes. Inside the Columbia Inn, during the final scene, the cast, cloaked in red velvet and snow-white fur, sings the title song – one of the most popular lyrics in the history of music – and glides the audience into the Christmas season. Giving emotional weight to the storyline, White Christmas is dedicated to several important Milwaukee theater personnel who passed away this year, including Montgomery Davis and Skylight costume designer Jeffrey Olson. Berlin’s tribute to family, friendship, and dreams of home over the holidays is heartwarming entertainment, evoking the simple longing and joy of being with loved ones in less complicated times and reminding is that loving and being loved are the best gifts to give in celebration of the season. VS White Christmas plays at the Cabot Theatre through December 31. Tickets are available by calling 414-291-7800, or visit skylightopera.com.
Nov 28th, 2007 by Peggy Sue Dunigan
12 Days – A Milwaukee Christmas
How many teachers inspire and believe in their young students? First Stages Children’s Theater musical play, 12 Days – A Milwaukee Christmas, is the adapted true story of Miss Emily Brown, a Downer College Professor whose Christmas theatrical productions became legendary in Milwaukee at the turn of the century. First Stage presents this holiday offering as a world premiere, written by Playwright-In-Residence James DeVita. DeVita is well-known to Milwaukee and Madison audiences as a core company member at the American Player’s Theater in Spring Green and, more recently, as the author of last year’s one-man show, Dickens In America, staged by Milwaukee Chamber Theatre. This children’s play reprises his admiration for Dickens as he incorporates elements of the English author’s stories and words from the “The Twelve Days of Christmas,” which Emily Brown is credited with bringing to America from England. Money and supplies are scarce in 1917, during World War I, and Emily Brown, now a grade-school teacher, struggles to stage her Christmas play. The Scrooge-like principal, Mrs. Crudgens, orders the pageant cancelled, but the students heed Miss Brown’s words: “In this class, as in life, an effort is required.” They go caroling to earn the funds, and in the end, in true Dickensian fashion, minds are changed, hearts are won and everyone enjoys the final presentation. Traditional carols and falling snow sprinkle this First Stage production with charm. Sarah Day as Emily Brown brings energy to the stage throughout the 90 minutes, and her chemistry with Bo Johnson, playing Polish-American school employee Mr. Horace, adds a touch of tenderness to the slightly contrived plot. The Pear Cast, one of two sets of child actors alternating throughout the run, contributed ample talent to the humorous and light-hearted performance on opening night. An interesting historical set and period costumes accent the production. In the final scene, the students wear “homemade” costumes like plum pudding and buttered dinner rolls, which delighted all ages in the audience as they finished with a sing-along of the title carol. Ultimately the production offers some important ideas for discussion throughout this festive season: often life requires an effort, an imaginative effort, especially when difficulties arise. As Miss Brown quotes from Dickens to her students, trying to encourage them to see beyond their own circumstances, she says, “Without imagination, there can be no compassion.” First Stage’s 12 Days – A Milwaukee Christmas uses both imagination and effort to tell this family-friendly story of Christmas hope and how one person’s efforts can change lives in the smallest of ways. Perhaps with true Dickens conviction, adults and children will remember to make these compassionate efforts throughout the holiday season. And believe – as Mr. Horace and Emily Brown believe – that “Christmas is not complicated. Christmas is Christmas. Heaven bless us!” First Stage Children’s Theater presents 12 Days – A Milwaukee Christmas in the Todd Wehr Theater at the Marcus Center for the Performing Arts through December 24. For information: 414.273.7206
Nov 28th, 2007 by Peggy Sue Dunigan
GREETINGS!
By Tracy Doyle If you’re looking for a little holiday fun that isn’t your 234th viewing of A Christmas Carol, The Nutcracker, or It’s a Wonderful Life, head to the Off-Broadway Theatre for Next Act’s delightful presentation of Tom Dudzick’s GREETINGS! This holiday favorite tells the story of the Gorski family on Christmas Eve as they entertain two very unexpected guests. Andy Gorski, who has moved from his small town to the big city, returns home for Christmas with his new girlfriend, Randi Stein. Almost immediately upon arrival, Randi, an atheistic Jew, and the Gorskis, devoutly Catholic, start to argue about religion. Sparks fly and the holiday seems to be ruined until Andy’s younger mentally disabled brother Mickey saves the day. As the evening progresses, old beliefs are challenged, new beliefs are forged, and the family is drawn together by the arrival of a second incredible holiday guest. Although the script is heavy handed at times and each plot line hammers the same idea over and over, the loving spirit of the play shines through. The cast of GREETINGS! is stellar and enjoyable to watch. David Cecsarini and Debra Babich are very believable as Mr. and Mrs. Gorski; they bicker and jab as only a long-married couple can, yet they are never stale or stereotypical. Often I found myself wondering how the heck my grandparents had found their way onto the stage. Elizabeth Audley (Randi Stein) and Eddie Collins (Andy Gorski) were also quite pleasant, but Marcus Truschinski (Mickey Gorski) stole the show with his spectacular portrayal of a mentally disabled twenty-something. Truschinski used his entire body, from every twitching muscle in his face to every awkward twist of his ankle, to create an entirely believable, never politically incorrect, character. He was funny, yet serious – definitely the star on the top of this production’s Christmas tree. It all comes together for an unforgettable night of great theatre – if you see GREETINGS!, be prepared to laugh and open your heart and mind a little to let in the true spirit of the holidays. GREETINGS! runs through Decmber16 at the Off-Broadway Theatre. Tickets can be purchased in advance by calling the ticket office at 414-278-0765 or online at www.nextact.org.
Nov 26th, 2007 by Vital Archives
Carolin’ Carolynne’s Comin’ To Town
By Jill Gillmer Is it just me, or does the title Carolin’ Carolynne splashed across a red-and-green banner suggest that this holiday revue might include a few Christmas carols? This was how I convinced my elderly aunt and mother to accompany me to the performance. When I found myself waiting for the first carol nearly an hour into the show, I realized that Carolynne was going to make a liar out of me, despite the creative arrangement of Silent Night (with different lyrics) and a few bars of one or two other Christmas favorites sprinkled between non-holiday songs. But the “rollicking tunes” featured in the Stackner Cabaret’s holiday production were more appropriate for a Holiday Booze Cruise – I mean Blues Cruise – than a Sunday afternoon with conservative relatives. Once I got past the disappointment of a carol-free performance, though, I was able to enjoy the ride. Billed as a vacation for those suffering from holiday-related depression, Carolynne Warren’s one-woman show features a series of wacky characters gently coaxing the audience out of its melancholy with a charming array of songs and skits. Its success isn’t due to the humor in the writing – indeed, much of the comedy borders on slapstick. Nor is it because of Ms. Warren’s average singing voice. Carolynne Warren is a hit with audiences because of the warmth and compassion she obviously feels for the characters she’s penned. One stand-out is a mermaid/Genie in a Bottle/vixen who addresses the lovelorn souls who unfortunately sought her advice. In another scene, a therapist enthusiastically espouses the virtues of anti-depressants over psycho-therapy. As a writer, Ms. Warren has a special gift for tapping the humor and sadness that coexist in the human heart. And it’s hard not to identify with at least one or two of the pathetic ballads she croons as the potential Soundtrack of Your Life. Ms. Warren’s piano accompanist, the immensely talented William Knowles, adds a calming balance to her frenetic energy. The many costume changes and creatively-rewritten songs keep the pace lively. All in all, it’s not a bad way to cure your holiday malaise. VS Carolin’ Carrolynne’s Comin’ to Town runs through January 6 at the Stackner Cabaret. For tickets and information, contact (414) 224-9490 or visit www.milwaukeerep.com.
Nov 26th, 2007 by Vital Archives
