2009-01 Vital Source Mag – January 2009
Boards, committees and Bohl – oh my!
In this edition: BOZA gets a new chair, Alderman Bohl blows up and the mainstream media once again misses the mark. Big news! New BOZA head: Outside of city government, not many people know or care about the Board of Zoning Appeals, affectionately known by insiders as BOZA. (Pronounced with a long “o” and a short “a,” so it rhymes with “Rosa.”) But if you live in the City of Milwaukee, run a business here or watch the city government station on TV (Channel 25), you know how vitally important BOZA is to maintaining a good quality of life in Milwaukee. Whenever a daycare wants to open in a residential neighborhood, or someone wants to put up an extra-large billboard, or a corner store is up for renewal, the Board, made up of private citizens, votes on whether or not exceptions (i.e. “variances”) to land use restrictions should be granted. Typically, an alderman or his/her aide will go before BOZA and tell why he/she is for/against the variance. There is often a lot of good neighborhood testimony, too, and the hearings can go well into the night. This is local government at its finest, and the chairman – for more than a decade – has been well-respected tax attorney Craig Zetley. In November, Zetley announced his resignation. This announcement sent shockwaves throughout City Hall and beyond, but it was barely mentioned by most Milwaukee media outlets. The replacement is long-time BOZA member Catey Doyle, who also happens to be sister to Governor Jim Doyle. Catey, the staff attorney for the Legal Aid Society, is passionate about Milwaukee and a great person for a job that would be demanding for anyone. Tune in to Channel 25 on any Thursday night when BOZA is in session and see how she runs her meetings. The general expectation seems to be that Ms. Doyle will be extremely fair with aldermen and citizens alike, but maybe not has hard line as Mr. Zetley when it comes to the interpretation of city code. Doyle is known for being empathetic and understanding of special circumstances. Like church, but for liquor licenses: Speaking of running city meetings, there was quite a bit of commotion at the Licenses Committee hearing in early December. Alderman Jim Bohl, known for his integrity, sincerity and long-winded analogies, is chair of the committee that grants a variety of alcohol and other licenses. He took over that role for Ald. James Witkowiak in April, but it’s Bohl’s second turn at being the chair of Licenses. (He’s one of the most veteran aldermen, having represented the west side of Milwaukee for more than a decade.) During this particular hearing, Bohl blasted citizens in attendance for not turning off their cell phones. “This should be like church,” he said at one point, exhorting people to be respectful of the proceedings. He even kicked out one person whose cell phone continued to ring. Many observers thought Bohl crossed the line. The castigation of Milwaukee residents – many […]
Jan 1st, 2009 by Dan Corcoran
The Gourds
Considering that Haymaker! is the Gourds’ 11th release in just 11 years, I’d say that these fine Texans know a thing or two about making hay while the sun is shining. That’s not saying that this recording is merely more product, though … oh no. This outing is much more streamlined stylistically than last year’s explorative, contemplative Noble Creatures, and as such, the live quality of their production is much better suited to these songs. Haymaker! pendulums between straight-up country and The Gourds’ unique brand of alt-country. Of course, their lyrical witticism is prominently on display throughout these 14 songs. “Fossil Contender” is a perfect second track with jangly rhythm guitar, tasteful slide and emotive vocals. “The Way You Can Get” keeps the pace rollicking and offers the disc’s most wistful lyrics, while “Shreveport,” a welcome addition to the truckin’ pantheon, even name checks Geddy Lee. Yessir. Overall, the contrast of Kevin Russell’s twang-dipped vocal delivery and songwriting to Jimmy Smith’s plaintive approach keeps the entire disc entertaining. Their styles have never sounded as cohesive as they do here. The Gourds have certainly created a catalog of worthy music thus far; Haymaker! is perhaps their most refined and therefore their most rewarding too.
Jan 1st, 2009 by Troy Butero
Ben Nichols
Ben Nichols, frontman for gritty rebel rockers Lucero, presents his first solo release, Last Pale Light In the West, a self-dubbed “mini-LP.” The mini LP is seven story-songs, pulling their tales from Cormac McCarthy’s Blood Meridian (1985), a bleak, violence-ridden novel, packed full of historical and religious references. Each song Nichols pens in Last Pale Light in the West is built around the novel and its characters; the title track sets the scene as Nichols leads, “Dark clouds gather round me / to the West my soul is bound.” The next introduces the novel’s protagonist, The Kid. In “The Kid,” Nichols sings, “Your mother died night you were born / her name you never knew / look away, look away / nothing to lose / left East Tennessee at fourteen / wandered to the West / look away, look away / born into death.” With Lucero, Nichols has proved himself a natural-born storyteller, tales of bars and brawls narrated by his raspy drawl. This time around, his stories are not just of bars and brawls; those bars and brawls are scenes for something far deeper and more sinister, echoing McCarthy’s unblinking, soulless style. The music itself bucks up and simply tells the tales, not overdrawing a dark mood but lending a stripped down and plainly pretty backdrop, letting the lyrics do all of the novel’s dirty work. Nichols, on acoustic guitar, paired with Rick Steff (Cat Power) on accordion and piano and Todd Beene (Glossary) on pedal steel and electric guitar, rolls ballads out slow and sure, like the rising and setting of the sun in a dusty Western sky, while the musicality of the songs shine up the rough pages within. Although more of a novella in terms of length, Last Pale Light in the West is all-encompassing of its original source, embodying a sense of history and depth and issuing an effect that’s fresh and endlessly intriguing, as the best stories often are.
Jan 1st, 2009 by Erin Wolf
