2009-01 Vital Source Mag – January 2009
This is Fearless
By Amy Elliott, Brian Jacobson, Erin Petersen, Erin Wolf Introduction by Jon Anne Willow, photograph by Erin Landry The idea of leadership has been receiving a lot of play lately, not only in the media but also in the conversations of everyday people. Too often, in the last several years in particular, the term “leadership” is modified by adjectives like “vacuum,” “lack of” and “inadequate.” When we at VITAL began planning these awards in early 2008, it was in response to a general feeling that our community and our nation were in the grips of a collective malaise brought on in part by the sinking sensation that things were spinning out of control and nobody was stepping up to do anything meaningful about the country’s direction. We could relate, and there wasn’t much good news coming from the top. Nevertheless, we could all think of individual citizens who apparently missed the memo to abandon all hope and continued to work within their communities for positive change, keeping their chins up, chests out and heads down but not bowed. In fact, we thought of so many that we realized there must be hundreds more right here in Milwaukee. So instead of picking people we knew in a closed-door staff meeting, we put the vote to the people of our city. And over 3,000 of you weighed in. That’s democracy in action, and we thank each of you sincerely for taking the time to recognize the efforts of all our nominees and award winners. Most of you who read this will be familiar with the larger concept of leadership, though you may not have thought about it much until the recent presidential election brought the idea back into vogue. The term has since gained momentum, first as a campaign slogan and now as a very real expectation of our next president, who takes the helm in such troubling times. Leadership is not about being in charge – some of the best leaders are peers, not bosses – nor is it about being the face connected with a name or cause. Leadership comes from within, and very often lies dormant until required. After all, what sane person grows up wanting to go down with the ship, lead the charge to battle or otherwise commit to exposing themselves to all sorts of hopelessness and unpleasantness on a daily basis? The answer is that nobody sane would think this is a good idea. But as William Shakespeare famously wrote: “Be not afraid of greatness: some are born great, some achieve greatness and some have greatness thrust upon them.” The latter circumstance, I believe, is how most greatness is uncovered. It is human nature to follow, to fit in and to believe that doing no harm is doing enough. It’s how most of us are wired, so if this is you, you’re in good company with most of the human race. But in your heart, don’t you ever yearn to hear a call that you can’t […]
Jan 1st, 2009 by Jon Anne Willow
Crooked X
With the demise of Atomic Records looming, now’s as good a time as any to re-examine the myriad problems that have beset the music industry as a whole: downloading, the collapsed economy, and most relevant to this review, the lack of quality in most major label product. With things so tough all over, I can’t help but listen to the self-titled debut from Oklahoma high schoolers Crooked X and wonder: the industry’s in the shitter, and this is the best they can come up with? The ten songs that comprise Crooked X’s debut sound about 14 years too late; ironic, since that’s the age of each band member. But who the hell is trying to ape Alice in Chains in 2009? Are their parents frustrated ex-grunge rockers? Songs like “Fade,” with its opening “Rooster”-style flange, and the horrifically clichéd “Rock and Roll Dream” (“I had a rock and roll dream/and I was a star/I went around the world/playin’ my guitar”— Jesus, really?) are lifted almost by the numbers from the Alice in Chains playbook, but with just enough Pantera-flavored cock-rock licks to imply that they might be closer to Alice ‘N’ Chainz (Layne Staley’s hair band before Jerry Cantrell joined him — look it up!). How bereft of new ideas are the major labels if signing a band of teenaged Creed wannabes sounded like a good idea (what’s next, is GM going to try to avoid bankruptcy by selling more Hummers)? Maybe it sounds unduly harsh to slam a band this young, but as they say on their MySpace, “We want people to hear our music, decide what they think, and THEN find out, ‘wow, they’re 14.’” Sounds fair – Crooked X would represent what’s wrong with the music biz no matter how old they were.
Jan 1st, 2009 by DJ Hostettler
Service, art and self-expression
In these troubled economic times, the news reports are full of dire predictions about the fate of non-profits of all types, from the organizations supported by United Way to arts organizations of all descriptions. The Baltimore Opera recently declared bankruptcy and the New York Metropolitan Opera has been having a tough year. Here at home, our own Milwaukee Shakespeare has closed its doors after funding bottomed out, and the Greater Milwaukee Committee says that its grant levels this year will be below those of last year. And these are just the most transparent examples of the tightening atmosphere. So it’s remarkable that the Shorewood Players Theatre’s upcoming production of The Women, written by Clare Boothe Luce, is also a fundraiser for Gilda’s Club of Southeastern Wisconsin, a cancer support organization serving communities all over the United States. Gilda’s Club is named for comedian and actor Gilda Radner, who died of ovarian cancer in 1989. The club takes its name from a quip attributed to Radner: “Having cancer gave me a membership in an elite club I’d rather not be a part of.” The philosophy behind the club was developed by Radner, her husband Gene Wilder and Radner’s cancer psychotherapist, Joanna Bull. The support structure that the club is committed to providing is extremely important to surviving any type of cancer, for all involved. All of the club’s services and activities are free, so its survival absolutely depends on outside funding. Gilda’s Club of Southeastern Wisconsin is located in a storefront on Oakland Avenue in Shorewood and provides emotional support, educational programs and social activities for men, women and children facing cancer, as well as their families and loved ones. One of Gilda’s Club’s key philosophies is that this kind of support must take place in a warm, welcoming and non-institutional environment – somewhere away from the hospital. Appropriately, one of the central themes of The Women is the support that the main characters provide to each other. Through all the challenges that the women of Luce’s modern, cosmopolitan world face, they have each other as an antidote to the roles they must assume to the outside world. While many have criticized the play as depicting vain and shallow women with no sense of how privileged their lives are, the Shorewood Players under the direction of Carol Zippel, Windfall Theatre’s Artistic Director, find something very different in the story. Zippel’s vision is of our modern world and the challenges that it poses to all of us, seen from the viewpoint of women and told in spectacularly entertaining fashion. The entire ensemble is female, and no male characters appear on stage. Both film adaptations of the play (1939 and 2008) have gone so far as to only show pictures of women and to clear the street scenes of all men. Major productions of The Women attract A-list talent, from Norma Shear to Annette Bening and Jada Pinkett Smith. The show holds the record for longest-running non-musical show on Broadway and has […]
Jan 1st, 2009 by Ryan Findley
