Frizell Bailey understands the blues.

By Frizell Bailey

2003 has been dubbed the Year of the Blues, marking the 100th anniversary of W.C. Handy’s making some of the first blues recordings in 1903. I grew up in a Mississippi town so small that we had only one stoplight until they took it down in favor of stop signs a number of years ago.

The town was small but the blues was large. At most gatherings, and in the hand full of bars in our tiny downtown, blues was what you expected to hear. There was a radio station in Jackson, the only real city in the state, that played all blues, except for a hip hop show late nights and gospel programming on Sundays.

I hated the blues. For me it represented everything I wanted to separate myself from. Blues was the music of the downtrodden, the destitute and the uneducated. Desperately trying not to be the small town boy that I was, I turned away from the folksy sound that permeated my childhood.

It wasn’t until moving to Jackson to attend college in ’91 that I began to appreciate the blues. It was a three-pronged process, beginning with a part-time job at the largest independent record shop in town, where I suddenly had all manner of music at my disposal. Then there was the influence of the store’s owners and my coworkers, who seemed to agree with Louis Armstrong. “If it sounds good, it is good.” So I gave everything I could a fair listening, from Aabba to Frank Zappa. The groundwork was laid.

In 1997 I began teaching in the Mississippi Delta. For those unfamiliar, the Delta is the poorest region in the country. But it is also the birthplace of the blues. Many of the biggest names in the blues came out of this region, from B.B. King and Robert Johnson to Elvis Presley. He may be known as the king of rock and roll, but Elvis was first and foremost a blues man.

It’s easy to see why the blues was born in this area. The land is rich, but the people are poor. Even today, most people work in agriculture or don’t work at all. It was amazing how much this land affected me. I finally began to get it.

The final phase in the development of my appreciation of the blues occurred at the Subway. The Subway is a juke joint in Jackson offering some of the best live blues in America for a mere $5 cover. Located in the basement of a building that used to house the only hotel where black people could get reservations, Subway sells cans of beer on ice in a bucket and “blues” dogs at the house next door. Friday and Saturday nights, the joint is jumping. People crowd into the tiny space, black and white alike, and stand shoulder-to-shoulder, bodies gyrating, souls engulfed by the music.

Whereas I once winced at the sound, today my heart swells, soaked to the core with emotion, when I hear the boom, boom, boom of John Lee Hooker. It is a curious thing how the sadness of the lyrics and the cry of the guitar seem to inspire such joy. Or maybe it’s not so curious at all. The blues reminds us that life is full of both pleasure and pain, and it is this that makes it so rich. Now, I cannot imagine a single year without the blues.