Michael Horne
Taverns

Last Call for The Curve Bar

After a short run on prime real estate, the bar will be looking for a new home as the city continues its ceaseless evolution.

By - Sep 17th, 2014 10:45 am
The Curve tavern on N. Water St. Photo taken July 22nd, 2014 by Jeramey Jannene. All Rights Reserved.

The Curve tavern on N. Water St. Photo taken July 22nd, 2014 by Jeramey Jannene. All Rights Reserved.

When Dan Fitzgibbons opened The Curve Bar late in 2013 he figured he might have a four-year run before the old tavern at 1634 N. Water St. would succumb to development.

Now it looks like he’ll be lucky to last a year in the place.

Last week, he received a letter from the landlord terminating his lease as of the end of September (since extended to mid-October). As my colleague Jeramey Jannene reported in July, The Curve will be replaced with The Rhythm, an apartment building proposed by Tim Gokhman and Fitzgibbons’s landlord, House Confidential honoree Jim Wiechmann.

Dan Fitzgibbons explains it all. Photo taken September 10th, 2014 by Michael Horne. All Rights Reserved.Dan Fitzgibbons explains it all. Photo taken September 10th, 2014 by Michael Horne. All Rights Reserved.

Dan Fitzgibbons explains it all. Photo taken September 10th, 2014 by Michael Horne. All Rights Reserved.

This will put Fitzgibbons in the market for a new place. It’s not the first time he’s been in that position. He used to own Fitzgibbons Pub, further south at 1127 N. Water St., and moved out when the landlord installed Pourman’s Pub on the site. This put Fitzgibbons out on the street for a while. It took him a few months to find his current spot, and a good year of sweat equity to get it ready for occupancy.

The place was certainly well-worn when he got his hands on it, and Fitzgibbons stripped the interior down to the bones, fortunately preserving the urinal in the men’s room, which is among three of the most venerable (age-wise) in the city, ranking up there with the porcelain monuments at the Roman Coin and at the Uptowner. If he had removed the fixture, of nearly walk-in size, it would have opened up a whole can of regulatory worms, and revoked all sorts of plumbing grandfather clauses that enabled the tavern to be renovatable. No sense pouring money down the literal and figurative toilet for a place that was doomed from the start.

Fitzgibbons was generous with the sledgehammer, although you could have used a feather duster to demolish some of the crumbling old surfaces of the bar. Gone are the kitchen, old paneling and odds and ends that marked the tavern when it was O’Brady’s and before that the Old Casino Steak House. Fitzgibbons eschewed beer signs and the other junk that cluttered the walls and concentrated on a simple palette of primary colors for the walls and the old tin ceiling above. It’s still a dive bar from the outside. After all, there are limits to what you can do to a place that soon will be no more.

Five widescreen televisions above the bar are tuned to sports channels, which you can watch or ignore at your leisure. This is a talker’s bar, first and foremost, and a regular stop for any number of tavern owners and bartenders from the East Side and environs. A few steps away from the bar area is a small room with an unused fireplace, a pool table, and keeping things warm on the east wall, one of the largest radiators you are likely to encounter.

You can leave the pool room through a set of double doors and enter a patio area that is screened from busy Water St. Here you can catch bands in season, or a smoke when the urge strikes. The tavern license describes this as a “horseshoe and beanbag” area. Get your game on.

Unlike virtually any other Water Street tavern, this one is amply endowed with parking — there is room for 40 cars on the surface lot to the south of the building, and a couple of windows for you to keep an eye out on your vehicle and the traffic whizzing by where Water Street bends (hence the name “The Curve.”)

This monumental floor-mounted urinal dates to the first years of manufacture of such an appliance. Photo taken September 10th, 2014 by Michael Horne. All Rights Reserved.

This monumental floor-mounted urinal dates to the first years of manufacture of such an appliance. Photo taken September 10th, 2014 by Michael Horne. All Rights Reserved.

Redevelopment of the site was almost inevitable, if you consider the value of the property. The city assesses the 16,800 square foot property at $386,400 for the land, or $23 per square foot. That’s some prime dirt. But the improvements — the building that Fitz put so much time and money into — is valued at only $100. You could probably get the John Michael Kohler Art Center to pay more than that for the urinal alone. Taxes are $11,803.60 and paid on the installment plan.

The building itself is ancient. Its history is shrouded in the mists of time. As early as 1888 it appears in the city directory as the home of Anton Stowasser, who also operated a bakery on the site, probably using that fireplace in the pool room to cook his loaves. Across the street was Trostel’s tannery. To the south was a pile of scrap lumber, from the mill on the river there. Not far upstream was a soap factory, near where the Holton Viaduct is today. The soap factory had a ready source of tallow from the tanneries. Anything left over was simply dumped into the open sewer that bore our city’s name.

The building is nestled into a hillside, one of the few remnants of the bluff that bordered the east bank of the Milwaukee river all the way downstream to the lake.

The first real public works project in the early settlement of Milwaukee was for Irish workers to level the bluff and narrow the river and fill in the swamps by dumping the spoils there. This work continued for decades as the city expanded northward, enabling horse-drawn vehicles, laden with goods, to make it uphill as new streets were carved into the earth. If you think the hill at E. Juneau Street is steep today, consider what it must have been like when Solomon Juneau first encountered it. (Juneau’s home at the intersection of N. Water and E. Michigan streets was about 25 feet above today’s street grade.)

Maps from 1894 and 1910 show The Curve’s building where it is today, but then it had many more neighbors, frame structures like itself that provided housing, shopping and drinking for the tannery workers who abounded in the area as late as the 1990’s. Tanneries across the street had a nasty habit of catching fire, as did the nearby lumberyards, often taking neighboring buildings with them. It is a wonder that any remain.

It was no more than a generation ago that this place, along with what is now Brocach (1850 N. Water St.) and Trocadero (1758 N.Water St.), filled up with tannery workers eager for a quick drink or dozen after a long shift in the messy plants across the street; places with names like Pfister & Vogel, Trostel, Gallun. You didn’t need your eyes to tell when the tannery guys were in the house — you could use your nose.

We tend to forget the industrial history of our river, and the absolute mess that open sewer was for a century and a half. While gentrification and the expansion of housing on the river is displacing places like The Curve, it also is making an era in our history a thing of the past. Just as well. Time to move on.

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The Rundown

  • Location: 1634 N. Water St.
  • Neighborhood: Lower East Side
  • Phone number: none listed
  • Website: None
  • Facebook: http://www.facebook.com/thecurvebarmilwaukee
  • Description: Very old building is one of last remaining frame structures on N. Water St. Location puts it squarely in the path of Brady Street – Downtown redevelopment, so you have only a month remaining to enjoy the place. Regular refuge of fellow tavern owners and bartenders. Good place for talking. Music Tuesdays, Wednesdays at 5:30 p.m. includes Leroy Airmaster and Brewtown Bluesers. A fine refuge for North Shore natives now in the big city.
  • Hours: Mon – Thu: 2:00 pm – 2:00 am. Fri: 2:00 pm – 2:30 am. Sat: 12:00 pm – 2:30 am. Sun: 12:00 pm – 2:00 am
  • Food: This used to be Butch Schettele’s Old Casino Steak House, but those days are long gone. Brady Street is just up the hill. You’ll find plenty of restaurants there. You should eat before you go out drinking anyway.
  • Signature Drink: You won’t get any complaint out of Fitz if you order a Miller. Maybe chase it with a Powers Whisky — that’s what all the tavern owners are drinking these days. Jameson’s works. Go find a Protestant bar if you want a Bushmill’s.
  • Capacity: 80 in 1,823 square feet.
  • Restrooms: One for men, one for women. Men’s room has an ancient urinal.
  • Year Established: It’s been a tavern for many years, but for only a year under current management.
  • Year Building Constructed: It is certainly over 125 years old.
  • Estimated Annual Rent: The city figures it at $17.57 per square foot for the tavern, for a total of $32,030 per annum. There is probably no other $100 building in the city generating that kind of revenue.
  • Walk Score: 92 out of 100. A “Walker’s Paradise.”
  • Transit Score 60 out of 100. The Green Line stops on the block while the #15 and #30 are just blocks away. This is a better transit hub than the Downtown Transit Center.
  • Games of Chance: 5. There is probably a dice cup somewhere on the premises.
  • Games of Skill: pool table; matching wits with Fitz.
  • Aldermanic District: 3rd; Nik Kovac

0 thoughts on “Taverns: Last Call for The Curve Bar”

  1. Anonymous says:

    Always hate to see old buildings go, but it has been an ugly lot for quite some time… hope the new development respects it well.

  2. Anonymous says:

    @CJ I haven’t seen any renderings yet, but yeah this building has been in bad shape for a long time.

  3. Anonymous says:

    The urinal at Tess dwarfs that one…..

  4. Anonymous says:

    Wasn’t this place the Polski Koty (or some variant on this spelling) at one time? In ’80 or ’81, I was fairly new to the city and wandered in there with some friends. We couldn’t believe it; they had free beer, free food, and people were smoking joints at the bar.

  5. Anonymous says:

    Wow, 125 years old – but isn’t The Curve still there (we’re coming to the end of 2014)? Sad to say, long before it became The Curve I once walked in and sat at a large spool-style table only to see a number of bugs run right up to some food another customer at the other side of the table had just brought there. (Goes with the age and “character” of the building, I guess……). Polski Koty means Polish Cats, doesn’t it, Urban dweller? And Michael Horne, are you going to review all the 35-plus odd bars in the Brady Street area?

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